Splashes of acrylic inks on a 140# weight watercolor sheet of paper. Purposeful play to see how the ink flows when sprayed with water. What images emerge from this play?
She emerged. A feminine buddha angel in prayer. She stayed like this, filed away in a pile of other such paintings for a few years. Then, one day, the time had come. I chose her from the pile and gave her a face. I added a complementary background color. Studying the color wheel, learning how to use and apply it to a work in progress is yet another learning experience. Primary colors, then secondary colors, finally tertiary colors. Complementary colors, analogous, monochromatic, triads, tetrads, etc. Then, there are hues, values, tints, tones and shades. I had no idea! So much to learn.
Facial expression is another practiced technique. Sometimes, the angle of the eyebrows can create an expression of alarm, surprise or worry. The intensity of the eyes, the poise of the mouth–there are many other tools that help to give expression to a face . I don’t know enough about this to claim expertise. I would say that the feeling behind this piece fits with the energy of the painting. A contemplative face showing some concern. Before the facial features were emphasized, there was a solemnity and sense of deep quiet.
Then, you could read this differently than I do.