A Day of Flow

A day of flow
© by Christine O’Brien

Her face
finely chiseled ivory
a porcelain rose stashed
above her right ear
hair woven into braids and curls
piled high
tattoos traced her arms
and any bare skin
her clothes were a draped rainbow
soft and flowing
her expression
lost in another time and place
her fingers pressed the keys of the accordion
while she pumped the bellows
gracefully
the soft
insistent melancholic music
forcing its way into the heart’s land
I placed a dollar in the accordion case
and she barely nodded
as I said
“Beautiful” and
“Thank you” 

I walked into the park
the loud tones of a man’s voice
rose over all other sounds
as he swore
and beat on another man
curled fetally on the ground
his arms and hands
sheltering his head
as a circle of young men
gathered
and held back all at once
I hurried two curious young girls
along the path
catching them up
to their mother
who finally said
“They didn’t need to see that”

I found the park bench
in the shade by the duck pond
on this over-heated day
I marked the rentals
out of habit and hope
and then watched
the mother duck
herding her nine ducklings
“Here, no here, no there,
keep up!”
the fluffy-headed
wide-eyed ducklings
“Yes, mother, oh yes mother, oh!”
they do respond to every barked order
survival is a serious business
and this duck pond
for better or for worse
is their home

The old woman–
I heard someone say
“She’s part Cherokee”
she weaves baskets out of pine needles
her old fingers
such fine work
and she’s proud
her daughter says
“She only learned two years ago
She outdid her teacher
it’s in her cells
this knowing how to weave baskets
“Teach a class?”  I ask
she nods “$50.00 a person”
I want to learn
it’s obvious she knows how to live
a fulfilled life
teach me that
please
she touches my arm
like a touch
can impart such knowledge
her eyes show neither humble senility
nor prideful superiority
a quiet wisdom emanates
“Yes, teach me soon.”
while her daughter, Leona
files her own fingernails
as we wait
in the hair salon

The pianist
in the ice cream parlor
trying to sell me
his latest cd
and I tell him
“I really just came in
for an ice cream.”
I buy a cd
finally
for two thirds of the price,”
he emphasizes
a good salesman

This day
which held all a day could hold
all that life could hold
beauty
violence
connection
creativity–
beauty prevailed

Taking a Risk

“Risk nothing and you risk everything.”

Erica Jong

I came upon this piece of writing from a Creative Writing class that I took a few years ago. It posed the question, “What are you risking?”
“What would life be like if you risked doing those things you have put off doing, but deeply desire to experience?”

With the advent of Covid 19, so much has changed. These days, we risk by going into a market to buy our groceries. This was written in 2009 when my parents were in a care home together.

The word “risk” has been at the forefront of my mind of late. I watch my parents at their present stage of life–ages 89 and 92. What’s done is done for them with little chance of autonomous change. The next risk they will take is their leap into the hereafter. I’m here now and I’ve felt overly cautious, limited and stuck for awhile. I feel a dissatisfaction which ranges from vague to imperative. I’m not sure what the risk is that I need to take. I do know that it’s time for a shift. Is it a stronger commitment to writing and getting published? Perhaps–why not devote one year to that effort and see where it goes?

I think that if I began taking risks, I might feel more self-fulfilled. Happier, less frustrated. Risk involves a certain daring. I’m a Leo, a fire sign, and this has been somewhat dormant in me. It’d be nice to allow the part of me that loves center stage, fun, playfulness to express herself. I’d travel some and try myself out in new situations. I’d speak my mind more. Be ridiculous at times. Ask the questions that I’m curious about of my diminishing parents. Not hold back affection.

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As life goes, I didn’t publish a book or devote a year to writing. My parents continued to decline over the next two years and they required a lot of attention from the family. They died six months apart. Their departure was followed by a period of grief. I documented their final years. I rarely ever stop writing. Most of the time, writing is within my comfort zone. Except that I did initiate writing this blog about three years ago and that has felt risky at times. I took a big risk when I interviewed a man, over a period of three months, about the male perspective in relation to women. Formerly, he had been an abusive male. I also signed up for a theater group and wrote several scripts which they performed. That was definitely outside of my comfort zone. In 2014, I started drawing and painting. This was something I never believed I could do! So I guess I could call that a risk. Since then, I’ve had two art exhibits and yes, I risked and leapt on both occasions. With the first one, I was so nervous that I got laryngitis and couldn’t speak to the visitors to the exhibit (yet, I showed up!).

Today, I have redefined what risk means to me personally and how it applies to what I desire. If my desire is to be a whole person and live from that wholeness, then what is the risk involved to live this way? I think it involves confronting fears and stuck places as they arise. I also think it’s about recognizing that I have taken many risks over the course of my life and I only recognize them as such in retrospect. Should I chart them on a piece of paper to remind myself, to honor that I don’t always hide under a rock? Covid time hasn’t supported some of the things I’d like to explore.

Recently, I was listening to an interview on Sounds True with author, James Hollis. He was ninety years old at the time of this interview and he passed away shortly thereafter. The thing he said that struck me was that each stage of life has its task. That’s up to you and me to figure out–what is the task for me at this stage and within the circumstances of my life? And once you have named it, take the risk and pursue it. I think that’s good advice.

In Covid time and at the stage of life you are in, what does taking a risk look like to you?

Panoply

Sometimes I hear a word and I put it in a holding place if I don’t look it up immediately. Panoply was one of those words. I liked the sound of it…how it looks and yet I had no idea what it meant. If I were to conjecture a meaning I might say it’s an abbreviated way of saying piano play perhaps? There are many words that have become archaic…we hardly ever hear them and they go to the ancient graveyard for rarely used words. I had a boyfriend once who used archaic words regularly. He had been an early reader. Both of his parents were deaf. He got his amazing vocabulary from the classics and other books that he encountered at an early age. And, sadly, most people wouldn’t have an understanding for some of what he was saying.

Panoply: pa-ne-plea/noun/Greek panoplia, fr. pan-+hopla arms, armor, pl. of hoplon tool, weapon–more at Hoplite. (1632) 1. a: a full suit of armor b: ceremonial attire 2. something forming a protective covering 3. a: magnificent or impressive array (the full-of a military funeral) b: a display of all appropriate appurtenances (has the – of science fiction…but it is not true science fiction–Isaac Asimov)

Pan…Greek from pan, neut of pant-, pas all, every; akin to Toch B pont-all) 1. all: completely (panchromatic) 2a: Involving all of a specified group b: advocating or involving the union of a specified group 3: whole: general.

Hoplite: A heavily armed infantry soldier of ancient Greece.

Merriam-Webster

How many of us remember, if we were even taught, how to translate a dictionary definition? Reading the above definition, there are parts I can relate to and other parts that I really don’t understand the reference. My father was a wordsmith–he loved looking up words in one of those huge dictionaries that was placed upon a wooden lectern-like stand, accessible and for quick reference…though not as quick as Google. He loved thumbing through the dictionary pages to find the word of choice and then to study the etymology of that word. The definition of etymology being “the study of the origin of words and the way in which their meanings have changed throughout history.” He believed that a deep understanding of a word was a clue to a deeper meaning to whatever he was reading. An understanding of a word’s origin could tell him so much more than what the author of the book might have intended. It could also take him on a vicarious journey as to where that word had traveled from originally.

Do we take words for granted? If we are avid readers, and especially women, we shouldn’t take words or literacy for granted. And, if we are women who write, we should have a devout relationship to words. There was a time, not so distant, when women were not allowed to learn how to read or write. A literate woman was an exception. It’s hard for me to comprehend this. If it wasn’t for me being able to read and write, would I find another way to express the feelings and thoughts that well up in me begging to be scripted? My answer to that question would be “yes.” However, what I expressed through art, embroidery, sewing, quilting, tatting and other womanly arts might not be so translatable by the highly lauded logical mind. It wouldn’t be so credited in the male-oriented versions of history.

Honestly, in my life, when I get caught in a circular pattern of words and thoughts, I toss the mighty pen aside and look for another way to express what is inside of me. I look for an escape route from the tyranny of thoughts that go nowhere! There are countless ways to quiet the mind–knitting, quilting, gardening, drawing, painting, etc. Staring out of a window on a snowy day in the mountains, like today–there are no words…

Seal is too a Power Animal!

The seal as a power animal is both a land animal and a sea animal, symbolizing adaptability to the water and earth elements. Seal Energy taps into the intuitive while helping you to stay grounded. Some of the other qualities that it represents are playfulness, protection, imagination, strength, good luck, dreams and movement.

****
My brother said that this seal looks “somber.” He added “…but who wouldn’t be with one’s habitat being destroyed and population dwindling.”

I told him that if he could see her in person he might think that she embodies power.

“The canvas is 24-inchesx24-inches,” I replied

He texted back, “Yes, I might have misspoken by using the word somber–maybe defiant (which could imply power) would be a better adjective.”

I texted back: “Interesting. I posted the photo on my artist page on Facebook. A friend wrote back: “He is so cute. He looks like he came out of a child’s story book. Beautifully done.”

I guess it is in how one sees it.

I didn’t plan to paint a seal. I didn’t plan to paint an animal. I mostly paint intuitively. I painted what emerged from the canvas and today, it is this seal.

I grew up by the ocean in San Francisco, CA. There was a big rock that we called Seal Rock because that’s where the seals loitered. There was a coin-operated tower viewer through which we could watch the seals as they clambered over the rock, as the waves dashed the rock, as the fog drifted in over the rock and hid it all from our sight.

According to Wikipedia

Seal Rock (or Seal Rocks) is a group of small rock formation islands in the Lands End area of the Outer Richmond District in western San Francisco, California. They are located just offshore in the Pacific Ocean, at the north end of the Ocean Beach, near the Cliff House and Sutro Baths ruins.”

As I type these words from Wikipedia, a nostalgia washes over me like a soft salty ocean wave. And then drifts across the sand into ocean’s memory. I knew these places and like the seals we grew up beside, we took them for granted. It’s often in memory that things take on a lovely patina and sometimes we linger there over the words and the images that they conjure. Lands End, Sutro Baths, Cliff House, Ocean Beach, Seal Rock–all in my backyard as we lived four blocks from Ocean Beach and The Great Highway that ran the length of the beach from the Sunset through the Richmond District. We rarely could see sunsets in the Sunset District. The fog was so thick! The foghorns played our nightly and daily lullaby.

We weren’t allowed to go to the beach on our own. As I got older, I got permission to take my younger siblings there. We walked from Moraga Street, crossed Lawton, Kirkham, then Judah where the streetcars ran. We turned down the street from 44th Avenue to 48th Avenue. At Judah and 48th, there was a tunnel which ran under the Great Highway. We ran through the tunnel, screaming, our voices echoing. The tunnel smelled of urine and the ocean. We probably ran and screamed to chase off any unsavory characters who might be lurking nearby. And then, like a light at the end of life’s tunnel, there was the ocean big, bold and vast. We were so small beside her.

When I was a young mom, I used to take my daughters to Ocean Beach and we’d sit on a cement wall gazing out to sea having our hot chocolate in thermoses with doughnuts. We would sit beside the mesmerizing ocean. The constancy of the waves, the intrusion of the foghorns, the taste of salt on our lips mixing with the bittersweet chocolate. People of all ages and sizes bundled against the cold, running, walking their dogs, walking with a companion or alone. I never really felt alone when I walked solo beside the ocean. I considered the ocean like a mother to me. Familiar and all-embracing.

Memories…a friend is writing her memoir. Mine would be wrapped in sea salt, waves, barking seals, my siblings, fog, and yearning.

This painting of a seal has taken me back in time and conjured up these memories.

Plan and be Flexible

In the past few years, many of us have hesitated to make plans. If we did, frequently something came up to alter our course. Flexibility is fast becoming a new practice. If we can’t gather as planned, then hmmm, what can we or I do instead? I’ve heard the phrase in the foreseeable future, and even that doesn’t come with a guarantee. These days, when someone asks me what a typical winter in the mountains is like, I say that it no longer has relevance as to what the weather is going to be like this winter. Things have changed, are changing, and I’m learning how to be flexible in the face of this.

When I’m asked what I’m going to do for the holiday, I hear myself answering “I don’t know.” I had a plan for Thanksgiving and then, it changed. Then I settled on another plan and at the last minute, I changed my mind about attending as I wasn’t feeling good.

We do plan things…but then, how are we when things don’t go according to plan? There are many possible responses. I was disappointed when my first Thanksgiving plan didn’t work out. I scrambled around searching for another gathering to attend. I found one, but then, I reneged at the last moment. The hostess was insistent that I take care of myself and didn’t make me feel bad for not participating. I did bring over a loaf of home-baked saffron bread and apple crumble as promised. The day after the gathering, she brought me a generous serving of the turkey dinner.

It is helpful to be able to adapt to change, to be flexible. We’ve all heard that change is the only thing that is constant…but the phrase doesn’t complete itself. It could be therefore it is wise to learn how to be flexible.

In the ancient philosophy, The Tao, there is a discussion of flexibility. This philosophy considers that everything is relative. There is the belief that any choice we make is dependent upon the circumstances in the moment and not on preconceived notions or plans. Digging in my heels and feeling upset about a change of plan makes me unhappy. Applying the principle of flexibility, calls on a creative solution in the face of a change of circumstances.

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Here’s a fun poem that I wrote about how to be with some of life’s choices when I wasn’t sure in which direction to go. I titled it The Obvious Next Thing.

Naked, I sit on a hot rock beside the calm lake,
drying my toes.
The brilliant chartreuse elephant leaves crowd around
like curious spectators.
I need additional reinforcements
a growing awareness of my own expertise.
The sincere blue of the sky
contrasts my cloudy thoughts.
In myself, what must I nourish?
A concerned moon is rising over the water.
“Go left, go right, go to Peru, find true love”–
if only it was that easy, if each day I could be
presented with specific directives–
“Eat a salmon-colored mango,
paint leaves the colors of gumdrops,
eat them, their crunchy Autumn texture.”
“Don’t be a little old lady
wearing a particularly strong perfume,
not yet!”

I find a pot of tea is a solution
to most problems.
I put on my socks,
wrap a towel around my nakedness
and stumble home to the beckoning pot
the obvious next thing.

****



Art in Your Life

How many times have you said (or heard someone say) “I don’t have an artistic bone in my body?”

My reply is “I don’t believe that.”

We are all artists in some sense as we imprint our life upon the blank canvas of each new day. The fact that the arts have not been stressed in a world of academia, resigns many of us to the theory that we are not creative. We see art as the territory of an elite group of eccentric individuals, not for “the common man.” And the number of these individuals who make it to the respectful ranks of successful artists, supported monetarily by their art, is even smaller. So if you can’t make a living at it, the competition is stiff, the chances of positive recognition are slim, then what’s the point of integrating it into an academic curriculum? What benefit could it possibly have? How could it improve the quality of life?

Big questions with lots of diverse theoretical answers. Some answers have been researched in a structured way; many have personal experience to back them up. What has been your experience with art? How has it influenced you? Have you discovered that ‘creative bone’ or allowed it to lay dormant? Time and money are often factors. Who has the time to take an art class or go to see the art show? And making art can certainly be an expensive hobby.

We are all artists to the degree that we choose to be. An artist and one who appreciates art become one in synchronistic moments. Practicing an art form or experiencing someone else’s art can be life enhancing. Who sets the table with a vase of arranged flowers and pretty place settings thereby elevating herself and her guests? Who stands in awe of a stunning sunset? Who becomes breathless over the blue sky brushed with wisps of white clouds? Who admires the evergreens and bare deciduous trees frosted with white snow? Who witnesses the burst of flowers in spring and laughs with birdsong? Who is revitalized by the last nectarine on the tree, untouched by bird or bug. If you are among any of these, you are a lover of the arts.

For what is art but a capturing of one moment in a photograph, on a canvas, on film, in a poem, a dance, a sculpture or acted in a play? How fortunate that some of us can take what nature has provided and transform it into our own individual expression. Why wouldn’t we want to experience this pleasure in as many ways as possible? Art viewed, participated in and discussed is a forum for communication with other viewers and/or fellow artists. Whatever emotions it might touch–love, anger, joy, grief or passion, it achieves the purpose of opening us and providing an opportunity to share with another.

There are a variety of mediums to choose from. We each have unique tastes and we begin with a curiosity to explore one of them. One person might enjoy molding clay, another plays with paints and yet another loves words. Experimenting and experiencing are the best teachers. When was the last time you attended an art exhibit? When was the last time you listened to classical music during dinner? Have you always wanted to take a photography class? On a sunny day, picture this–you, watercolors, a paint brush and canvas sitting in the backyard giving yourself permission to come out and play. For today, why not place a vase of your favorite flowers on the kitchen table? See what opens up for you and those who live with you. The artist in you is longing for recognition.

Enjoy!

This Journey

We are, each one of us, on a journey to ourselves. Many of us (I don’t know why it’s this way) are born into family systems that steer us further away from ourselves. This steering away is influenced by the cultural, political and religious systems that are in place when we are born. We then spend a lot of our life trying to release what isn’t true for us or that isn’t serving our wholeness. We want to serve the greater good by sharing our unique gifts, but there is all of this undoing that has to happen before we can access what we’re here to share. So it seems.

Several years ago, I crafted and presented creative writing workshops. These workshops arose from a place of my own individual self-exploration. However, the template I created could be applied to guiding other writers and seekers with processing and integrating their own experiences through creative writing. It was a wonderful, intuitive and healing experience for all participants. However, at some point, I decided that until I was more whole, more evolved or wiser, that I should stop sharing in this way.

I withdrew from presenting workshops. There were other more imperative things that I needed to tend such as my ailing parents. Then, there was a high maintenance relationship that diverted my attention. That was followed by a timidity and the thought that I didn’t have the energy to present in this way. So everything that I had created, crafted and cultivated laid in a heap in a file cabinet drawer waiting, waiting, waiting for some prince to come and kiss it awake, or not.

The truth is that you’re never going to have it all together. There is not going to be a perfect time when all conditions are right. And the stars won’t be perfectly aligned as a clue for you to begin. Besides, your wholeness involves all of your imperfections and that vulnerability is part of your charm. This is the place where people can connect with you authentically. It helps them recognize their own vulnerable places that need tender loving care.

“If I waited until I had all of my ducks in a row, I’d never cross the street. Sometimes you just have to gather up what you’ve got and make a run for it.”

A friend sent me this quote as I was writing my blog this morning. It fits perfectly with what I’m saying…that is take your beautiful, imperfect self, go out into the world and share your gifts. Wherever you are in your personal journey is good enough. Can you imagine a world where each and every being–with their unique perspective–creates a potpourri of diversity, the wondrous variety of life?

Enjoy the sharing and the human discovering that you are.

Writers, Rabbit Holes and Curiouser and Curiouser

My watercolor version of Sir John Tenniel’s Alice in Wonderland (in the attic)

Alice of Wonderland fame had a curious nature.  Falling down a rabbit hole probably wasn’t brilliant.  However, it lead her into a fictitious world, one that Lewis Carroll fabricated brilliantly.  Was it a political parody?  A not so subtle way to expose and mock the then current political climate in England?  Was it only a fantasy, a child’s tale?  To be taken at face value?

Regardless, writers are curious beings.  They pursue various white rabbits in their quest for a story.  They research and sniff things out.  They discover, uncover, unearth, expose and bring things to light to share with their readers.  Ha!  Curiosity, it has been said, keeps one young.  The exploration can lead you into all sorts of encounters.  However, if it’s a white rabbit that you meet, you might be careful about who you tell.

In my childhood, the oft repeated phrase was “Children are meant to be seen and not heard.”  What clever person invented that one?  Asking questions and having a questing nature is how we discover and learn about the world that we’re born into.  The autocratic family system in which I grew up disallowed individual thinking and discouraged asking questions.  You were served what you were served and it was for your own good–you best swallow it in its entirety.  Some of my siblings chafed under this rule and were given the strap.  Others went into denial… ‘everything is fine’.  And then, the belief that everyone lived like this seemed true.  There wasn’t a lot of connection with the outside world.  Isolation is important in this type of system.  

It takes awhile, after one leaves such a home, to feel safe enough to express yourself freely.  It takes awhile to even realize what your own thoughts are.  But when you begin to come out from under the veils of fear and trauma, you start to notice things around you that just aren’t right.  And  your questions rise to the surface.  If you feel safe enough, you pursue those questions with an avidness, a rising hunger, a quest for your own truth in the midst of a world in chaos.  So, your early childhood, in a sense has trained you to recognize the non-sense that much of the world is buying into.  You have insight into the fragmentation, the separation, the isolation, the not seeing what is really going on (i.e. the elephant in the living room).  When your experiences take you into situations where questions aren’t encouraged, you have a nose for something isn’t right here.  

What I’m noticing is that there are many people across the planet who don’t question the status quo.  I witness how we continue allowing atrocities, warmongering, class differences, economic stratification, ageism, sexism, racism–all those ism’s.  And then there are those who do question, thankfully.  Climate change is real…do we stick our heads in the sand and pretend otherwise or do we roll up our sleeves and head into the fray and see if we can learn from the wiser elders, the indigenous ones, those who love the earth?  

No one person can address all the inequities by themselves.  I wonder what might happen if you or I or anyone chooses one thing to be curious about, to study and learn about?  At some point, you might feel the desire to share what you’ve learned.  At times, you could feel inspired to speak with newfound authority on  your topic of choice.  You might be inclined to educate others from that place of passionate awareness

One thing!  One thing only to be curious about and to explore.  What would you choose?

How to work with the “Malaise”

Malaise: “…a general feeling of discomfort, illness, or uneasiness whose exact cause is difficult to identify.”

How are you coping with it? The long stretch of not being sure how to proceed? The risks, the frustrations, the doubts and uncertainties, the news, the misinformation, the truth that “no one really knows for sure.” What are the long-term consequences of getting the vaccine? How long does it last? What’s the best one for you? What’s the best one for me? Who can you go to for answers? What if you are one who chooses to wait and see before you get the vaccine, if ever? What is the underlying cause of this virus? Where did it actually originate? What’s the best preventative? Can we gather or not? How many feet apart? Wearing masks, indoors or outdoors? Double-masking? Whaaaaat?

And do we have to face more of this in the future? Is it a result of climate change and what we’ve been doing to our planet? The virus goes to the lungs…are the lungs of the earth sending us a message as we carry on with our deforestation…the trees, the lungs of the planet? A good question–is the earth giving us FEEDBACK? How are we interpreting this?

Some of my friends are trying to live their lives with business as usual. There are others who are working around the curtailments. There are others who go between the malaise and working on one or another projects. For them it’s like swimming against the currents. Progress is slow, if any. Sometimes they go sideways, detouring into a mindless distraction. Some have a new addiction to the news, their computers. And they are suffering for it. As for me, I’m trying to sort through a lifetime of writing. And to maintain the little cottage where I live better. A little garden. The goal is to bring some order to the world that immediately surrounds me. The one I think I have some control over. In incremental ways, daily. It doesn’t have to be dramatic or overnight.

What about you? How are you coping?

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I wrote this poem in March of 2012. I don’t remember what was going on in my life at the time. It was a year after my mom had died. A year and a half since my dad had died. I’m guessing I was rousing myself and redirecting my life after the challenges of their final years. The thing is…perhaps we’re always rebounding from something or other in our lives. Yes, it’s true, the magnitude of what has resulted from the virus is different because it’s global, not only us. Yet, we do know some of what it takes to rebound.

Betweenland
by Christine O’Brien

Footing is precarious
The old, familiar ledges
eroding beneath my feet
before I have something
solid in place
If trust were substance
I’d stand upon it
finding safe ground
in the midst of dissolution
From there,
I’d look out upon inner continents
–the old ones disappearing
as the new ones surface
The discontent and yearning
from which they’ve sprung
in my own sweet soul
calling more of me into being
The woman that I am
standing on this plot of land
looking across the horizon,
now so close,
to see the other one
stretching out his hand
towards me


Symbol of Woman’s Emancipation

I learned to ride a bicycle when I was about twelve years old. I rode my bike around the neighborhood in the Sunset District in San Francisco where I grew up. I didn’t travel very far or wide. I had six younger siblings and a lot of household responsibilities. In her late forties, my mother got a bike as a birthday present. It was maroon-colored and called Indian Princess. It seemed somehow exotic to me. My father put training wheels on it; my mother never took them off. It never left the garage.

When I married at age 19 and moved to southern California, I wanted a bike but my young husband didn’t agree. After I had my first daughter, I pictured myself riding through the flat neighborhood of Lemon Grove Estates with her in a bike seat behind me. Again, my husband thought I was being frivolous.

For a long time after that, I thought that I had outgrown bicycles…that I was now too mature to ride a bike. The notions that we have. At 36-years old, I bought myself a Schwinn mountain bike for women…blue, shiny, sturdy, I took up bike-riding. I rode around San Francisco. I never did get a helmet although I would advise my younger self to wear one now. I rode from Daly City, partway around Lake Merced, down Sloat Boulevard to Great Highway beside Ocean Beach. Along the Great Highway past the Sunset and Richmond Districts, then up into Golden Gate Park. Past Queen Wilhelmina’s Windmill and tulip gardens. Up through the park to ninth avenue and the Big Wreck Baseball Field…and then back again. This became a regular route for me.

I brought my bike with me when I moved to Mt. Shasta. I thought I’d ride it often. I rode it sometimes, but rarely. Mostly, it’s been in storage. When polled recently to see what their most valuable possession was women responded…their car keys. I would agree with that. However at one time, the bicycle was a symbol of freedom for women. It changed fashion and gave them mobility at a time when they were definitely constrained.

“One hundred years ago, Alice Hawkins, a suffragette, cycled around Leicester promoting the women’s rights movement, causing outrage by being one of the first ladies to wear pantaloons in the city. During the fight to win the vote the bicycle became not only a tool but also a symbol for the emancipation of women.”

The American civil rights leader, Susan B Anthony, wrote in 1896:

“I think [the bicycle] has done more to emancipate women than any one thing in the world. I rejoice every time I see a woman ride by on a bike. It gives her a feeling of self-reliance and independence the moment she takes her seat; and away she goes, the picture of untrammeled womanhood.”

This little collage turned into a woman riding a bicycle.