You pay more for a room with a view. This is a commonly known fact. As if the view would not exist without the room faceted just so. This enables the proprietor of the Crest Motel to charge $50.00 more per night than for a view-less room facing the parking lot and highway. I begrudgingly admit that it is special. A tanker or barge or a large vessel, not know by name to a landlubber like myself, passes through the channel. Three black crows preceded by their barking caws swoop down, fanning their wings with a sudden shudder and then pulling them in tight to their shiny black bodies.
I like vistas such as this; they make me want to cry. The view is accompanied by the soothing sound effects of the constant ocean. I know the ocean mostly from the shore. I called her mother when I was in the womb. I grew up five blocks above the Great Highway in San Francisco, beyond which the ocean stretched as far you could see.
An impatience lays upon me as I sit in the chair in this room with a view, writing. I must go down and sit outside in a chair overlooking the sea–the chair the three crows occupy. My coming chases the raggedy crows away as their calls remain overhead. A bridge stretches across a broad expanse of bay. From this distance the glint of a car crosses from one side of the bridge to the other. The manmade landmarks are foreign to me, but not the sea.
It is both sad and strange to travel alone. And, I have to admit, I feel slightly depressed. Most of my life, I held someone’s hand–a sibling’s, rarely a parent’s; infrequently, a spouse’s hand, often, my daughters’; sometimes a boyfriend’s, now my own. Keeping my own company. The bird chatter sounding like a slightly squeaking brake, the wind rustling the coastal trees, the silent bay and the noisy highway together create an oddly restful ambience.
I could explore. I could go to the office and get directions to a path which would take me onto the beach or out to the breakwater wall, perhaps. Movement, physical movement, often helps to shift sadness. I’m curious. It looks like one could walk down there and be right beside the water. I have a plan.
The desk clerk in the office tells me that there is no trail down to the beach. She directs me to the river trail. I can catch it behind the Safeway parking lot. “It’s really nice,” she says, “it’s all paved.” She doesn’t know that I prefer the feel of the cushy earth to unyielding pavement. I thank her.
The fog begins to roll inland with a certainty, hiding the small mountain range on the opposite shore and the longest bridge. I must go before I disappear as well.
Later: Everything is an adventure or at least something to write about. Like the discovery that this is not the ocean that I’ve been looking at and writing about. This is the Columbia River! And it’s huge, like an ocean! The fountain in the center of the courtyard below has colored lights in the bottom of a scant pool which splashes colors up though the now-dribbling water. The river trail was paved as foretold, a small trolley ran beside it for those who didn’t want to walk, jog or bike ride. It’s 7:35 in the evening now. The sun is making a slow descent in the west. It hasn’t reached the fog bank yet which is going to surely douse the sun and send me inside.
Sitting on the upper balcony outside of my room, I’m aware of how much I live inside myself. There are five neighboring sliding glass doors opening onto this balcony. The deck streams from one end to the other without dividers. It’s a narrow deck; no one else is out here and I’m glad. I’m not in a sharing mood. I’d nod and go inside if someone emerged.
I distract myself. The Astoria Pier runs ramps down to the vessels below. Small dinghies, moderate-sized fishing boats and a hulking steel fishing boat, orange and rusting–these line the pier.
And the seals, there are signs on every ramp–“Danger, Seals on Pier!” Their mossy green-brown bodies have taken the sun into their hides and claimed it. They have an air of “don’t mess with me.” Their barking. Unlike the crows, they won’t be scared off–if someone gets too close, their echoing barks intensify. Are they complaining? Staking territory? Merely chatting?
I wonder if I’ll always be alone. When do I stop feeling like a stranger to myself? Omigod! A huge tanker like a floating gray whale passes in this very wide river. Spontaneously, I wave, shouting “I’m here, over here!” A small, less significant boat scuttles past the tanker, lost beside its bulk. The fog interferes with the sun’s warmth but not it’s light. The tanker moves slowly but steadily. Watching it is better than watching television; the mind is not assaulted. I learned today that each blast of a ship’s horn has a meaning. One blast means passing on starboard, two means passing on the left. Five short blasts is an alert “If we don’t change course, we’re going to crash!”
This woman, myself with wild golden brown hair sits in the setting sun on a green plastic chair clutching a fat blue Dr. Grip pen as if my life depended on it. The hot tub invites but two young women are filling it up with their high esteem
–no room for me. Now the sun is flirting with the fog and the air has a sudden nip. I’m going inside.