In the New Year

2020 feels auspicious.  In the mountains, we are expecting snow and rain, that wintry mix.  I am appreciating winter for a good winter promises an abundant spring.  These days, I am also grateful for the inward time that winter proffers.  Did I use that word correctly?

A little poem, a couplet, that I came across in one of my journals:

A bed of earth below which lays
a startle of forceful green relays
the message that beneath tamped earth
there is the promise of rebirth.

 

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I’ve been painting again.  I wasn’t painting for awhile.  I’ve been grieving three intimate losses in a ten month period.  You might know that grief is it’s own country.  When you go there, everyday life takes on a different sheen.

Anyway, this painting began with a large sheet of watercolor paper (18″ x 24″).  I wrote down my feelings about grief.  Then, surprisingly, emerging from this came my version of “Puss n’ Boots.”  See below.

Blessings to everyone as we go forth.

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Remembering the Connection

invitation.2019

This is another theme of mine that replays itself.  Truly, I don’t understand how anyone (me included at times) canNOT see that everything affects everything.  When my daughters were young and watching Sesame Street, there was a cartoon that they replayed frequently.  It went something like this…If I pop my little brother’s balloon, he’s going to cry.  Mommy is going to come running.  He’s going to point his finger at me.  I’m going to get into trouble.

An effective example of actions with consequences.  So it is with our earth.  We are invited to share in the beauty and the bounty provided by nature.  And, it’s a wise thing to live sustainably and reciprocate in ways that we are able.  How we impact our planet, “our carbon footprint” for one, affects not only us, but the other creatures with whom we share this earth home.  And also, the generations to come.

This painting invites us into the forest and to receive the healing salve of being in nature.  It is an invitation requiring reciprocity.  Please respect this earth–home to many.

 

Painting as a Personal Process Facilitator

I received one of those dreaded phone calls.  My ex-husband had a stroke!  It wasn’t looking good.  A surge of helplessness arose in me.  And fear.  I live a distance from where he lives.  I needed to do something while waiting for news.  This painting is by no means a work of art.  However, this is what I was prompted to paint.  I call it “Prayer.”

transformation2

When I first began painting in 2014, it was all about following my intuition.  As I added marks to the canvas, I noticed images.  I defined some of those images.  My expertise at drawing, combining colors and making a painting cohesive didn’t exist.  However, intuitive painting was a good way for me to begin this artistic journey.

I quickly discovered, that like poetry and journal writing, painting facilitated my personal process.  In this particular instance, painting helped me to handle the big emotions and the feelings of helplessness.  (It has been a long road for my ex-husband, but he did recover from the stroke.)

Contemplation:
Have you noticed how your creative practice facilitates your personal life process?  Can you think of specific instances where you turned to your creative practice to support you in some way?

Appreciate your art-making.

In Service…

While I believe everyone is an artist (sometimes hidden), writing and creating art are also callings.  As a writer who has journaled for many years, I have conducted a self-exploration that perhaps few people conduct over the course of their lives.

Does there come a time when this type of self-exploration becomes wearisome?  And then what?  Is there a point when the inward journey shifts to outward service? Or, perhaps it is a simultaneous venture–personal discovery and then expanding that into “How can I serve?”

Writing Prompt:
Do you translate your creative pursuit into service?  What does that look like?

Angel Skins

Angel Skins
© by Christine O’Brien

Spring’s beauty mocks a world at war.  Who said
the spirit which enters and leaves this form
is pure?  When spirt and form do wed,
the body knows no haven from the storm.

Flowers have dirty feet; petal discards
like fallen angel skins, garden compost.
Flower sprites leap into neighboring yards
searching for the soggy seed, their next host.

This spring season who shall pollinate me?
Which bee will hover round my glowing crown?
What distance do I hold this person, he,
so in his shining aura I don’t drown?

While wars wage and flower sprites do dare leap
we’ll mock duality, hold hands, dive deep.

angel1

 

Writing Prompt:
Spring and war don’t jive.  The new life forcing its way into being after a cold and snowy winter of retreat and respite.  Within and without there are forces shouting about the wonders of being.  What are spring’s messages to you?  Write them down in your journal–transform them into a poem if you choose.

Imagination and Fabrication

Imagination…

elephant

Excuse me, but is that a PURPLE ELEPHANT?

Why yes, it is.

Where in the world would you find a purple elephant?

In the realm of imagination, of course.

Artists love to paint elephants.  Some artists choose realism and create elephants that look like they have walked out of an African forest.  Other artists are inspired to paint whimsical elephants (like me).  There is room for both, of course.

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Writers of fiction are great fabricators–they take an idea for a story and let their imagination run with it.  And, if  permitted, the imagination can take you on a ride into the great unknown!  In a sense, fiction writers might begin their story with “I wonder what would happen if…”  and then take off into a flight of fancy.

When you write from the place of imagination, you typically want to have your story grounded in some “facts”.  Your reader appreciates some plausibility or credibility in order to hinge his/her mind onto something recognizable.

Years ago, I remember watching the film The Secret Life of Walter Mitty with the actor, Danny Kaye.  There was a remake in 2013 with Ben Stiller…I haven’t seen it yet…I think I’ll rent that one tonight.  This story is based on author James Thurber’s classic story of a daydreamer who drifts off into an imaginary world, escaping his mundane life.  He is, of course, the hero of his daydreams.

Writing Prompt:
In your writing, do you dare to enter the wild and unpredictable territory of imagination? Have you written from this place?  What story can you create out of thin air?  Even if you are a non-fiction writer, can you allow yourself the play that imagination steals one into?  Do you want to give it a try?  It might feel like you have veered off course, but why not?  Don’t new inventions rise from someone’s untethered imagination?  The questions being “How can I do this better or make this easier or what if I do this or try that, then what?”

EXPLORE

Essentially Yours

We begin learning by imitation.  This is necessary for survival in the world into which we are born.  Then, comes the differentiation…the recognition that you are neither your mother nor your primary caregiver.  Waving your hands in front of your face, you begin to realize that these are your hands and under your control.  The very beginning of individuation!

In writing and art, you might begin by imitating, copying techniques, practicing methods, mixing colors as directed, learning the language, advancing your use of tools and studying your genre of choice, etc.

As you further your education, what is bursting to emerge is that which is essentially yours.  How do you weave together all that you’ve learned and then, in which direction are you going to take it? Many artists speak about style.  Some artists fear being copied.  Other artists are flattered at being imitated. Every artist wants to receive credit for their creations.

I do think that there is within each one of us is that which is essentially your own. When you are in the copycat stage, there is an awareness that this is only the springboard that is going to take you to your very own style.  Style can be seen as the way in which you uniquely put the various constructive components of your chosen art together.  There is  a certain something that emanates from your writing or art that comes to be seen as your style.  At first, perhaps, you yourself can’t see it because it is so basic to you. I’ve found that others often recognize my style of  painting before I do!

In your daily life, there is a way you go about things. From the way you greet the day, to the foods on your shelf, to the arrangement of furniture in your home or how you dress.  I doubt that any two individuals do any of these exactly the same. Through experimentation, daring and trust–whether writing, sculpting or painting, –you are going to find a way to express that which is essentially yours.

WRITING PROMPT:  How do you perceive your writing or painting to be essentially yours?  What do others notice when they read your poetry or prose?  What do others point out when they look at your art?

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