Ballerina “Degas Style”

As the social distancing continues, we are finding other ways to connect.  It’s not easy.  I took a walk with a friend for the first time in two weeks.  We stayed six to eight feet apart.  If anyone was approaching on the trail, we split further apart to allow the person(s) to pass.  I have alcohol wipes with me when I shop for groceries.  The checkout clerk wears plastic gloves and a mask.  When I get home, I wash the packaging that my food comes in, the fruits and vegetables, etc.  These are some of the precautions that I take at this time.  It is difficult.  And I do believe that deep inside each one of us is something that knows how to be with what is occurring at this time.  I have no answers…except to give myself something to show up for every day.  Blessings.

****
I don’t know the names of the variety of ballet positions.  Except for one, plie.

Being in the phase of painting ballerinas,  I was leafing through a magazine and came across an image of a ballerina stretching towards her toes.  I believe it was by Degas but I could be wrong.  He certainly painted a plethora of ballerinas!

Regardless, I wanted to try and paint her.  In my whimsical style, with a touch of collage around the hem of her tutu.  I remember how challenging it was for me to get her form close to being true.  The arch of her back, the tilt of her head, her fingers that touched her ankle.  The proportions.  The angle of her face and neck.  Even the color of her skin and the tonal values.  Urgh.  I wasn’t entirely pleased with it.  But after a lot of tweaking and fussing, I called it done.

I named this painting The Sugar Plum Fairy as behind her is a fanciful forest of perhaps, trees of a sugar plum variety.  And doves that form a heart.

Ballerina2

Then there is the famous Dance of the Sugar Plum Fairy from The Nutcracker.

 

****

Today is a good day to STRETCH!  Being homebound for now,
don’t forget that your body loves to streeeetch.

 

 

Alone Doesn’t Have to be Lonely

I don’t remember exactly what inspired this mixed media painting.  Except that it was another intuitive journey and continued to shift over time.  Putting down colors that I was drawn to, seeing images within the evolving piece, deciding which ones to elaborate on and which ones to let go.

****
It was a cold, winter’s night in the mountains where I live.  There was the early dark of winter and a blizzard outside.  There was nowhere to go and no friend to meet.  An existential loneliness settled in around me.  Resistance is the first response when an uncomfortable feeling presents.  Feet dug in…”I don’t want to go there.”  But it persisted and I needed to be with it.  I’d been working on a painting of a polar bear in the Arctic.  I’d been trying to paint the aurora borealis.  Good luck with that!  That sky went through so many changes.

aurora

What prompted me to paint a polar bear in the Arctic, that I can’t really say except that as I created the background, his image hovered in the painting.  I brought him forward.

polarbear1

That night of extreme loneliness, staring at this painting in process, imagining the polar bear as his world disappears, I wrote the poem that I’ve already shared in this blog earlier.  It begins like this…

It’s cold and I’m alone again at night
The stars so far away, no comfort there
Is the polar bear aware of his plight?
Ice floes are melting, does anyone care?

Painting this piece, writing the poem, helped to shift my energy.  The poem and painting connected me to something outside of myself, bigger than my small life and this moment of loneliness.

****
To be human is to feel loneliness at times.  In this time of the pandemic, social isolation and uncertainty, find a way to either write, draw or paint or any other creative activity.
One exploration could involve color.  Color crayons, watercolors, acrylics, colored pencils…any of these work.  On a piece of paper, put down colors that you feel particularly attracted to.  Place them side by side, at different angles to each other.  If you are using paints, notice which colors make other colors “pop” forward and which colors recede.  Let yourself play with color.

 

 

These Times

This is truly a strange way to realize that we are united, as one.  Through a virus.  I’ve been thinking about what I want to contribute at this time, through this blog.

For now, less words and more images.  Starting with earlier paintings.  I took up the paintbrush in 2014.  Words had served me well.  Suddenly, I felt entrapped by them.  The same circle of thoughts.  I needed something different.

There was an online class called Brave Intuitive Painting taught by artist, Flora Bowley.  I think that it was five weeks long.  That was the beginning of my painting journey.  There is an abstract quality to this style of art.  And you definitely are lead by your intuition…which color, what symbol, what emphasis.

When I look back at the first paintings , I didn’t have a sense of what my style was.  For many of them, I can’t remember why I went the way I did with them.  While I don’t dislike the abstract, I seemed to always want to pull a recognizable image from the background that was emerging.

I’m going to post the art I created, one at a time, from 2016 forward.  If I can remember the prompt, I’ll share that.  I hope this uplifts you and tunes you into your own creative nature.  I want to encourage you to pick up a pen, pencil, paintbrush or use your fingers in paint and find and follow your inner creative being.  We all have one.

****abstract.a

This painting is called Lanterns and Fans.  It’s painted on a 12″x12″ canvas.  It was one of my first paintings to sell.  Looking at it now, I see that it is too busy.  And I would find a way to tone it down.  As with many paintings, they are best appreciated in person.  That said, any painting has an energy that comes through it.  And I do remember somewhat the space that I was in while painting this mixed media piece.  I have a feeling for some Japanese symbols, i.e., lanterns and fans.  Colors self-determined and the collage materials were sifted or cut from earlier paintings.

Because I gave myself the freedom to express myself, I think the viewer was able to tap into that sense of freedom.  And a bit of frivolity.

****
Perhaps, today, you can consider some symbols that have spoken to you in your life.  The ones that you come across regularly or feel drawn to.  Take some time today, to draw them.  Draw them several times.  Repetition has a place in art.  It’s practice.  Artists practice a lot!