She Who Knows

SheWhoKnows.

There is the tale that is told so well by Clarissa Pinkola Estes in her world-renowned book,  Women Who Run with the Wolves.  When I first encountered this book, I was in an independent bookstore, The East West Bookshop, down the Peninsula in the San Francisco Bay Area.  I opened the book randomly and read a passage that was relevant to an experience that I recently had.  The hardbound book wasn’t in my budget.  I replaced it on the display table and walked away.  Then, after browsing for awhile, I was drawn back to the book.  Again, I randomly opened it and voila, another passage that claimed me.  I bought the book.  Every weekend, I’d read a chapter and integrate what I was discovering.  This book felt like a woman’s bible to me.  The mythology and tales that were woven in with a Jungian interpretation touched me deeply.  These tales, passed down from generation to generation, transported me into my own psyche in a way that had never happened before.

La Que Sabe, She Who Knows, was one of those stories.  The story goes…

“In the Southwest the archetype of the old woman can also be apprehended as old La Que Sabe, The One Who Knows. I first came to understand La Que Sabe when I lived in the Sangre de Cristo mountains in New Mexico, under the heart of Lobo Peak. An old witch from Ranchos told me that La Que Sabe knew everything about women, that La Que Sabe had created women from a wrinkle on the sole of her divine foot: This is why women are knowing creatures; they are made, in essence, of the skin of the sole, which feels everything. This idea that the skin of the foot is sentient had the ring of a truth, for an acculturated Kiché tribeswoman once told me that she’d worn her first pair of shoes when she was twenty years old and was still not used to walking con los ojos vendados, with blindfolds on her feet.”
(excerpt from Clarissa Pinkola Estes)

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When I created this mixed media painting, I had no idea who or what was going to emerge.  But then, she did.  This painting is not about perfection of features…it became about expression of a deep feeling…the woman who has searched inside and encountered her own depths in search of her place in the world.  She does not feign timidity.  Pretense doesn’t work for her.  She decorates herself.  She is radiant and is comfortable with being in her own power.  She is not apologetic for being this powerful.

She has lived her life and learned from it.  She is present with you and deep seeing into human foibles and their underlying strengths.  She understands that wisdom is there for each one of us.  And, she holds patient compassion for herself and others as we sense into our own deep knowing.

Poetry Today (in Perilous Times) 2

Poets, writers, artists have a three-fold purpose as I see it:
1) the task of witnessing.  2) the task of writing it down or rendering it in some creative way.  3) sharing what they’ve written or created as a result of witnessing.  They’ve then come full circle with their particular art.

Within it, poetry has the imperative to share a message.  That message is intended to be evocative.  To awaken in the reader some of the same emotions that the witness/writer has experienced in putting pen to page.  A writer or painter can never be guaranteed that her audience is going to feel the exact same emotion.”  They can’t be attached to the outcome or response to their piece once it is released.  Fly away little bird.  But they must release it and allow it to affect and influence whoever it might, however it may.

Poets write about anything.  Poetry can express everything.  It is rare that the reader is privy to what precisely preceded the poet writing a particular poem.

I painted a piece with fish as the theme.  I don’t remember why I chose to paint these fish.  As I stood back from it and studied it, I felt tranquility.  It was exploratory.  But it didn’t have pop!  Not enough value contrast.  Or cohesion.  It prompted this poem, regardless.

A Quiet Wonder
© by Christine O’Brien

Underwater Kingdoms
Civilizations that we can’t comprehend
the sheen of scales
glint of colors
that stun in light’s glory
the silver trails through
unimaginable depths
the flash of a tail–
fish or mermaid
who is to say
for certain things
happen in depths
where humans
dare not go
we can’t all be Cousteau
though at times
if you’re at all
contemplative
you dive deep
into the dark waters
into what you’ve not known
beyond fears that taunt
and perhaps discover
another side
a way through
a quiet wonder

If this poem causes the reader to pause and contemplate something beyond their norm, then it has succeeded.
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