Can You Help Me To Understand?

So there it is. In this time when we experience heightened awareness of our patterns of communication, we come up against a belief system in someone else that is so contrary to how we see things. It is their “white to our black”–an opposition, and we can’t get past the distinct differences. There are many opportunities to explore this over the course of one’s life. We’ve seen it in our politics a lot lately. And, sometimes up close and personal, within our own families.

While there may be some situations where I am able to put myself in someone else’s shoes and get an understanding of how they might feel, there are some beliefs or perceptions that I really don’t get.

So what am I to do when the divide between me and someone else seems high and wide? I don’t know exactly where I heard this line: “Can you help me to understand?” The rest of the question might be “Can you help me to understand why you see it that way?” or “Can you help me to understand why you believe as you do?” or “What experiences in your life have lead you to this perception?”

These questions don’t feel confrontational to me. Any one of them would cause me to pause and consider the formation of my perceptions. If we’re both clear that the questions are an effort towards better understanding, that might help too.

When such a question is posed, there can be no attachment to trying to change the other person’s view. It is asked with an honest curiosity to get to know someone a little better, without judgment. That’s easier said than done. With someone else, can we deeply listen without confrontation or judgment? Can we decide that we don’t have to defend against the expression of someone else’s perceptions?

Yesterday a friend said something about her own thoughts that go astray…the ones that she disapproves of in herself. She is trying a new tactic–to witness without judgment and allow the thought to come in and go out. It seems that the better we get at doing this for ourselves, there is hope that we can then practice this with another. We cannot tell our mind “Don’t ever have that thought again!”, voicing our disapproval. Rather, we notice it and see it as a cloud passing through.

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Humanity, on the whole, is young. We are finding our way, discovering what it is to be an evolving human being. We have a diversity within this being human. That diversity offers us an opportunity to explore and learn about the many aspects of what this means. Reviewing human history, I witness a less-than-genteel, coming of age as we move past the survival mechanics to a more tolerant and inclusive view of life on earth. However, we teeter between our evolution and the survival instincts–i.e., antiquated war as a means to handle conflict! We don’t seem to be very far along.

When I wonder how are we ever going to have a meeting of the minds, let alone the hearts, the words active compassion surface as power words. Perhaps, in any efforts at communication, we need to bring this quality into the center of the circle engaging active compassion as the basis for any discussion where there is a great variance.

Today, this is only me thinking on paper. Please take from these mind meanderings what you want and leave the rest. And, I’d like to hear what you think in response. Truly.

Good Fortune

cat.

Good Fortune.  This piece began as a painting of a nautilus.  I lived with it for awhile and then, I changed it into something else.  A cat of good fortune.  I remember the figurines of Chinese porcelain cats from my own childhood.  Perhaps I’d seen them in magazines or in my Irish/German grandmother’s house in Bernal Heights in San Francisco.  Maybe I had seen them in the little trinket shops in Chinatown.  Regardless, I could use a stroke of good luck.  So I painted this cat to symbolize good fortune.

We do that, don’t we, imbue an object d’ art with symbolism.  I recently realized my tendency towards mixed media.  While I paint mostly with acrylics, I like dimension, texture and sometimes a 3D effect.  As if the subject is coming off the canvas a bit and announcing its presence.  I have some of my mother’s costume jewelry…two pieces were perfect for the eyes.

Lucky times.  Luck of the draw.
Reminding me of this Taoist story of the father and son…

There is a Taoist story of an old farmer who had worked his crops for many years. One day his horse ran away. Upon hearing the news, his neighbors came to visit. “Such bad luck,” they said sympathetically.
“Maybe,” the farmer replied.

The next morning the horse returned, bringing with it three other wild horses. “How wonderful,” the neighbors exclaimed.
“Maybe,” replied the old man.

The following day, his son tried to ride one of the untamed horses, was thrown, and broke his leg. The neighbors again came to offer their sympathy on his misfortune.
“Maybe,” answered the farmer.

The day after, military officials came to the village to draft young men into the army. Seeing that the son’s leg was broken, they passed him by. The neighbors congratulated the farmer on how well things had turned out.
“Maybe,” said the farmer.

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Do we make our own Good Fortune, I wonder?  Is it unrealistic to consider that we are going to always experience only good fortune?  Is every event and circumstance intended for our growth?  Is any experience, whether perceived as good or bad, only for our evolution?  “Maybe?”

Collage

There is a technique to collage and yet, is there?

I collage on a 6″ by 6″ wood birch panel.  I choose from papers that I have on hand.  I had painted mini mandalas on these papers previously.  I cut or tear and paste, randomly arranging scraps of paper on the panel.  The plan is to collage a purple elephant that I painted a few years ago on this background.  The purple elephant is then to be the featured piece around which I build and complete this little work of art.

Against this backdrop of semi-circle suns and cresting mountains, I see a face.  A face that resembles a Maori woman or is she Swahili?  Or neither.  Anyway, that’s what occurs to me.  I bring her forth; the intuitive artist’s task is to follow where one is lead.  At first, she’s only a face floating at the top of the tiny piece, asserting herself.  Looking further, I see it is an entire person–there’s her neck and she’s wearing a dress of varied fabrics.  Earlier, I had done some silver leafing.  Using teal paint, I push the entire figure forward.

I stand back to see what else presents itself.  Is there anything more that wants to be seen and expressed?  I see that half of the elephant is another figure with a wildly striped tiger face wearing a purple garment.  This figure is standing and facing the first woman.  Now I have a decision to make.  Do I scrap my prized elephant and bring the second figure forward?  According to what I’ve experienced in the creative process, it appears that I do have to scrap the elephant to move this piece along.  Bye bye to the purple elephant–another time, another art piece perhaps.

Art can teach the artist about impermanence.  Non-attachment.  That my own desires and designs are secondary to an unfolding and evolving plan.

Ultimately, I forced my own desire and design and decided to keep the elephant.  It’s all been part of my process and this mixed media piece’s evolution.

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