She Stewards the Earth

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Do you upcycle your art?  Valuing her face, her direct look, her expression, I wanted to utilize her in a new painting.  This then became a mixed media piece.  I collaged her face, painted her dress with an earthy color and added symbols.  I did some texturing on the canvas prior to drawing and painting the buffalo.  I also used some “resist” to have the underpainting show through.

All of this to symbolize White Buffalo Calf Woman.

There are many tellings of this story.  Here is one.  (It’s one-and-a-half minutes long.)

I titled this piece “She Stewards the Earth,”
because I believe that women have a deep
connection to the earth.  That in some ways,
we are more deeply aligned with the earth
than men.  That perhaps we are an avenue of
communication between humankind and the earth.
I feel that our bodies are sensors to the disharmony
that the earth is experiencing due to our misuse.

What do you think?

Female Buddha

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Splashes of acrylic inks on a 140# weight watercolor sheet of paper.  Purposeful play to see how the ink flows when sprayed with water.  What images emerge from this play?

She emerged.  A feminine buddha angel in prayer.  She stayed like this, filed away in a pile of other such paintings for a few years.  Then, one day, the time had come.  I chose her from the pile and gave her a face.  I added a complementary background color.  Studying the color wheel, learning how to use and apply it to a work in progress is yet another learning experience.  Primary colors, then secondary colors, finally tertiary colors.  Complementary colors, analogous, monochromatic, triads, tetrads, etc.  Then, there are hues, values, tints, tones and shades.  I had no idea!  So much to learn.

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Facial expression is another practiced technique.  Sometimes, the angle of the eyebrows can create an expression of alarm, surprise or worry.  The intensity of the eyes, the poise of the mouth–there are many other tools that help to give expression to a face .  I don’t know enough about this to claim expertise.  I would say that the feeling behind this piece fits with the energy of the painting.  A contemplative face showing some concern.  Before the facial features were emphasized, there was a solemnity and sense of deep quiet.

Then, you could read this differently than I do.

 

 

Collage

There is a technique to collage and yet, is there?

I collage on a 6″ by 6″ wood birch panel.  I choose from papers that I have on hand.  I had painted mini mandalas on these papers previously.  I cut or tear and paste, randomly arranging scraps of paper on the panel.  The plan is to collage a purple elephant that I painted a few years ago on this background.  The purple elephant is then to be the featured piece around which I build and complete this little work of art.

Against this backdrop of semi-circle suns and cresting mountains, I see a face.  A face that resembles a Maori woman or is she Swahili?  Or neither.  Anyway, that’s what occurs to me.  I bring her forth; the intuitive artist’s task is to follow where one is lead.  At first, she’s only a face floating at the top of the tiny piece, asserting herself.  Looking further, I see it is an entire person–there’s her neck and she’s wearing a dress of varied fabrics.  Earlier, I had done some silver leafing.  Using teal paint, I push the entire figure forward.

I stand back to see what else presents itself.  Is there anything more that wants to be seen and expressed?  I see that half of the elephant is another figure with a wildly striped tiger face wearing a purple garment.  This figure is standing and facing the first woman.  Now I have a decision to make.  Do I scrap my prized elephant and bring the second figure forward?  According to what I’ve experienced in the creative process, it appears that I do have to scrap the elephant to move this piece along.  Bye bye to the purple elephant–another time, another art piece perhaps.

Art can teach the artist about impermanence.  Non-attachment.  That my own desires and designs are secondary to an unfolding and evolving plan.

Ultimately, I forced my own desire and design and decided to keep the elephant.  It’s all been part of my process and this mixed media piece’s evolution.

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