Ladder to Heaven

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With the guidance of artist, Marie Ndolo, I continued to work on the human face.  So much to learn.  And hair, how to paint hair that looks sort of real.

She appears contemplative.  She is pondering the higher realms.  In this painting, the color red is an earthy color, keeping her grounded.  The blue is more ethereal and the image of the ladder floating in space is definitely other-worldly.

Tilting a face, drawing and painting the angle of a face is a challenge.  And, doesn’t a tilted head give a whole other tone to the painting.  Do you think so?  A tilted head is almost like floating a question in the air.  Or listening for an answer, perhaps.

I’ve always liked the image of a ladder floating in space.  Ladders, we climb them to get to something up higher, out of our reach.  It seems like a good symbol for this painting.  Sometimes a stairway suffices.  But no, I like ladders.

Like the one that Georgia O’Keeffe painted, Ladder to the Moon (1958).  The painting is of  a wooden ladder suspended in a turquoise sky.  I wondered what prompted her to paint that?

Here’s what I found out…

“A long, homemade ladder used to lean against Georgia’s house at Ghost Ranch so that she could climb up onto the roof and gaze out at the vast desert landscapes. Sometimes she would even climb up there several times a day. At night she would climb up on the roof if she wanted to gaze and fall asleep under the stars.”

 

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“In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. Some say her immediate surroundings at Ghost Ranch were the inspiration of this piece of art. Others interpret the painting as a religious work. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos”

Red

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The story of Little Red Riding Hood wasn’t one of my favorites…however, it did impact me.  Early on, I rewrote the ending…the wolf was a good guy and everyone sat around together having tea in my final scene.

This painting was inspired by a class called Barn Painting, taught by Alissa Millsap in Paint Your Heart and Soul, 2017.  Entering the realm of this piece, it was painted on an 8″x8″ birch panel, I quickly decided that it wasn’t going to be a barn.  It was going to be  grandma’s cottage in the woods.  And then, in the forefront, I placed Little Red Riding Hood and her companion/friend the wolf.  I just realized that here I go again, making the wolf an ally.

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Taking a class from a fellow artist, I am presented with a formula of sorts.  This artist showed me the techniques and tools that she used to create a barn on a substrate.  I was guided through her process.  While I borrowed techniques and used the tools, I diverted and made different choices, incorporated my own style and personal perspective to create an original painting.  I was relatively new at painting faces, so this Red Riding Hood’s face is rather juvenile.  Yet, I like her and think that she works with the piece.  I love the wolf…a friendly fellow (so long as he’s well-fed).  The wolf is made whimsical and less frightening with the wisps of pastel colors in his coat.

In direct contrast, the color RED is dramatic and immediately eye-catching.  Some artists love the drama of red while others hide from it, modify it or use it sparingly if at all.  I’m learning to have a liking for a true red.  Used without apology.

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If you are familiar with the chakra energy system, you probably remember that red symbolizes the root chakra located at the base of the spine.  The root chakra can represent our origins, our quality of feeling grounded in present reality, living in connection to the earth and our core self.  We cultivate this connection by the choices we make in our lives.  Many people have a need for healing their family history–yes, root chakra taps into that.  To support this energetic healing, a person might eat red foods, wear red clothing, carry a red stone or crystal, write or make art around their family history, and if necessary, see a therapist and work on that early family bond.

When I wear red, it seems that I want to be noticed.  Red is not for wallflowers.

What’s your experience with the color red?

 

 

Making Waffles

web22I light a candle and play soft mood music as I prepare cornmeal waffles from scratch.  With a wire whisk, I  blend the eggs and buttermilk in my favorite bowl.   I add the dry ingredients–cornmeal, flour and baking powder–to this mixture.  I stir in melted butter.  I’ve done this for countless years.  When I am present with this alchemical process, I am truly in my life.  My presence is one of the ingredients.  It is a ceremony.

Preparing an occasional gourmet meal, making a fancy dessert or mixing up a batch of waffles are some of the ways that I stay grounded.  As a writer, it is easy to float away into a world of the mind, ethereal imagination and fluid wordy inspiration.  However, hands-on, food preparation is of proportionate value to me. Isn’t it a balancing act at times?

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I love good films about humans and food.  Babette’s Feast, Chocolat, Mostly Martha, The Big Night, Julie and Julia, Eat Drink Man Woman, Chef, even Ratatouille!  Only a few of  the many wonderful films with this theme.

I am curious as to why I find these films so uplifting, satisfying and inspiring.  Possibly because they elevate something that I have valued throughout my life.  They take food preparation to a sensual and even “glamourous” height.  Food that is so basic to our survival also provides endless enjoyment.  To participate in the alchemical process of the creation of a meal and then to share the outcome with others is sublime.

Writing Prompt:
For your journal, what is something (other than writing) which you enjoy that takes you out of your head and into the moment and/or process? Do you tend to this daily?