Futuristic Writing

Recently, I watched a few episodes of a television reality show, PROJECT RUNWAY.  I find the creativity aspect fascinating.  Sixteen up and coming fashion designers are competing over a period of approximately twelve weeks.  They are given design challenges and they create their own unique take on the assignment.  One designer is eliminated from the competition each week.  A challenge was for the remaining seven designers to work collaboratively (rather than competitively) and come up with a line of clothing based on what fashions might look like in a futuristic society in the year 2055.  They were each given $55 to spend at a vintage clothing store and then used these purchases to create their line of futuristic fashions.

The overall theme that the designers chose to work with was that in the future, the environment would “be the enemy” and people would need protection against toxins and hazards that mankind had perpetuated through their reckless use of resources, greed, apathy, etc.  That these young designers would perceive the future to be hazardous in their futuristic imaginings, is probably not surprising.

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So, is all futuristic writing then going to be apocalyptic in nature, I wonder?
If we started to write about the future with more optimism, could we alter the course of things?

Writing Prompt:
What is something that you’d like to imagine into the future for the earth and her inhabitants?  Write about it.  Share your better vision with someone.

Orbs in the forest

Orbs…lucky me

Pablo Neruda–“The Word”

Pablo Neruda was a renowned and prolific Chilean poet and diplomat.  He won the Nobel Prize for literature in 1971.  The fictionalized 1995 film, The Postman (Il Postino), takes place in Italy during Neruda’s time in exile.

Neruda loved his native language, Spanish (Chilean).  He wrote in this native tongue; there have been beautiful translations of his work.

The following bit of prose, translated into English, transmits this love and the preciousness of words to him. This is only a partial excerpt from Neruda’s homage to “The Word”.  I’m sorry that I cannot give credit to the translator as it wasn’t available.

The Word
by Pablo Neruda

“You can say anything you want, yessir, but it’s the words that sing, they soar and descend…I bow to them…I love them, I cling to them, I run them down, I bite into them, I melt them down…I love words so much…the unexpected ones…the ones I wait for greedily or stalk, until suddenly, they drop…Vowels I love…they glitter like colored stones, they leap like silver fish, they are foam, thread, metal, dew…I run after certain words…They are so beautiful that I want to fit them all into my poem…I catch them in mid flight, as they buzz past, I trap them, clean them, peel them.  I set myself in front of the dish.  They have a crystalline texture to me, vibrant, ivory, oil, like fruit, like algae, like aggates, like olives…and then I stir them, I shake them, I drink them, I gulp them down, I mash them, I garnish them, I let them go…I leave them in my poem like stalactites, like slivers of polished wood, like coals, pickings from a shipwreck, gifts from the waves…Everything exists in the word…”

Writing Prompt:
A brief meditation.  Get quiet, shut your eyes, take a few deep breaths.  Continue to follow the slow in and the slow out breath.  Experience the release of what you think you know with each out breath.  Experience your openness to something new with each in breath.  Ask for entry into the land of the WORD.  In your imagination, construct that land.  Visit it for a few minutes as you continue to follow the slow in and the slow out breath.  When  you feel ready, open your eyes.  Pick up your pen and let your words flow onto the page–write your own homage to the word.

peony

Imagination and Fabrication

Imagination…

elephant

Excuse me, but is that a PURPLE ELEPHANT?

Why yes, it is.

Where in the world would you find a purple elephant?

In the realm of imagination, of course.

Artists love to paint elephants.  Some artists choose realism and create elephants that look like they have walked out of an African forest.  Other artists are inspired to paint whimsical elephants (like me).  There is room for both, of course.

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Writers of fiction are great fabricators–they take an idea for a story and let their imagination run with it.  And, if  permitted, the imagination can take you on a ride into the great unknown!  In a sense, fiction writers might begin their story with “I wonder what would happen if…”  and then take off into a flight of fancy.

When you write from the place of imagination, you typically want to have your story grounded in some “facts”.  Your reader appreciates some plausibility or credibility in order to hinge his/her mind onto something recognizable.

Years ago, I remember watching the film The Secret Life of Walter Mitty with the actor, Danny Kaye.  There was a remake in 2013 with Ben Stiller…I haven’t seen it yet…I think I’ll rent that one tonight.  This story is based on author James Thurber’s classic story of a daydreamer who drifts off into an imaginary world, escaping his mundane life.  He is, of course, the hero of his daydreams.

Writing Prompt:
In your writing, do you dare to enter the wild and unpredictable territory of imagination? Have you written from this place?  What story can you create out of thin air?  Even if you are a non-fiction writer, can you allow yourself the play that imagination steals one into?  Do you want to give it a try?  It might feel like you have veered off course, but why not?  Don’t new inventions rise from someone’s untethered imagination?  The questions being “How can I do this better or make this easier or what if I do this or try that, then what?”

EXPLORE

Conjecturing

I call this exercise Conjecturing.  Imagination let’s you play with what you’ve accepted as the way it is or was.  Imagination opens doors to other possibilities–what if’s, if only’s and dream on’s.  Fairytales, we discover, can be altered.  Following is my poetic rendition using the fairytale, Little Red Riding Hood.

What if Little Red Riding Hood
wasn’t so little
and the color, red, was a camouflage
in a maroon forest
and the wolf was tamed
or on vacation?

What if Little Red’s mother
drove her to grandma’s house
on some well-traveled highway
and the woodcutter
was a truck driver
in some other state?

What if Little Red
was a lot older and wiser
and understood wolfish ways
and detours?

And, what if grandma
lived with Red and her mom
and no one had to go anywhere
afterall
with a basket of goodies?

What if the world weren’t so dangerous
and the unknown wasn’t dark and scary
only unknown
and talk over tea and cookies
were the universal fare
and war was obsolete.

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I’ve used the “what if” technique to encourage the imagination to play with and rewrite a story that can be traced back to Europe preceding the 17th century (there are many different versions of Little Red Riding Hood).

WolfandRed.final

Writing Prompt:
Is there a fairytale that you’d like to recreate? In prose or poetry, employ the what if  technique and see where you can go with it.  Flights of fancy can take you to surprisingly new territory (and out of the woods).  Enjoy the process.

Writing Tip:
Conjecturing with “What if” is a good way to move through a writer’s block.

Note:  All of the art on these blog posts is my own. This piece was inspired by a class I took with Alissa Millsap called Barn Painting.  With general guidelines, I tend to go in my own direction and this painting is where I went.

More Practice with Noticing the Details

When I meet someone new, it is not unusual for my mind to form “judgments” or “conclusions” about him or her.  Before I can count to three, I’ve made up my mind in some way.  Once I have this inner judgment, I log it as “true” unless or until I learn otherwise.  First impressions are powerful and I wonder how many times they are correct?  I’m guessing there are a few studies.

How certain can you be about what you actually see?  What filters do you wear as you view something?  I know there have been tales of five individuals witnessing an event and, afterwards, each one relates it differently. Interesting.

Years ago, I was hiking in a designated wilderness area.  I don’t wear my glasses while hiking.  As I passed this grassy meadow, I was certain I spied two white horses, grazing in the relative distance.  What a lovely sight! Returning along the same path hours later, I realized that it wasn’t two white horses grazing, it was two large white immobile boulders! If you’d have asked me, I would have sworn that I’d seen these two beautiful white horses.

horse4

As an observer and writer, I have an active imagination and can fill in the details around someone or something without having facts to substantiate what I conclude! 

Writing Prompt:
Here’s an opportunity for you to practice constructing a story based solely on what you see. Select a photo of a person in a magazine–National Geographic?–any magazine with great photos of people is desirable.

Tear out the photo or copy it so there are no distracting elements aside from the picture you are studying.  Using image detail, describe every aspect of the person in the photo. Clothing, expression, age, coloring, a “dissonant detail”, etc.  What are you assuming about this person based on the photo? Write that down also.  Make up a story based entirely on what you see.

Image Detail

In the film, The Bridges of Madison County, Francesca (Meryl Streep) tells Robert (Clint Eastwood), “Robert, please. You don’t understand, no one does. When a woman makes the choice to marry, to have children; in one way her life begins but in another way it stops. You build a life of details…”  The thing about movies is that you see the details when watching a film.  They don’t have to be described.  However, if you’ve ever written a screenplay, you laboriously spell out every single thing from the sounds of a creaky door to “slouching in a front row torn upholstered seat in a moldy smelling theater.” Nothing is assumed…each tiny detail is duly noted.

Telling details actually means DON’T TELL ME, SHOW ME WITH YOUR WORDS!

In his book, Let the Crazy Child Write, author Clive Matson discusses in detail several ways to bring image detail into your writing. It is the details that capture our attention and imagination.  To bring the experience to a reader through our writing, we recapture the details.  It is the details that place the reader where your story occurs and it is the descriptive details that shows the reader who your characters are (along with their dialogue and actions).
Clive Matson gives a few examples of image detail: “The worn green fabric on the end of a diving board, a piece of chewed gum in the boss’s ashtray, the pearly scar on a lover’s neck.”  Recalling a detail, the entire memory returns. How many of you have had that experience with a smell, say cinnamon, which suddenly transports you back to a childhood memory–french toast with cinnamon and butter, a special treat for a Sunday morning breakfast.  Or, remember that song from the past you overheard at the supermarket the other day that returned you to a time and place in your life when you were making out with your first “love”.  When you are writing your story, include that detail; perhaps words from the song as they drift in and out of your experience.

I am going to refer you to Chapter One in Clive Matson’s book, on “Image Detail”.  He explains image detail in a precise, descriptive, engaging and educational way.

WRITING PROMPT:  What is a flashback song for you?  One that when you hear it transports you to another time and place?  Claim the song and a memory that it evokes and write about the whole experience in vivid detail. Paint the picture with words. Who were you then, who were you with, what article of clothing was a favorite?  Were you at the beach in southern California, in a windstorm on the high desert, in the back seat of a car–what kind of car?  Was there a smell that prevailed or a noise that intruded? Imagine your reader and take him/her there using sensory (of the senses) words and make the experience come alive.

Ah, time travel!

 

 

 

 

Invocation of the MUSE

 

Invocation
by Frank T. Rios

My muse burns
a holy candle
to the nite
as She lies quiet
in the other room
the space
between us
a mystery
like walking
on air
what I know
fits
in my closed hand
the rest
a vision
and my Muse
guiding me

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We’ve talked about inspiration.  We’ve mentioned “The Muse.”  We’ve looked at how we respond to inspiration (the muse).  When I don’t have to rush out the door in the morning, I return to my bed with a cup of hot yerba mate tea.  I write or draw in my journal.  I contemplate the day before me.  I look out the window & note the blueness of the sky, the shapes of trees, the structures, the sheer beauty.  Sometimes, I let my imagination roam…a good thing for an artist to do–give your imagination room to roam.

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WRITING PROMPT

I thought it would be interesting to imagine that my muse has a physical form.  I thought it would be insightful to interview my muse.  To ask her or him some questions.  I drafted a list of interview questions (see below).  I invite you to do the same–that is, interview your muse.  You can use my questions and if you have some questions of your own, include them. Give your muse the opportunity to write out the answers to your questions in a stream of consciousness way.  (Oh and remember that the muse is a bit unpredictable and playful.) Enjoy this process.

  • Who are you?  (Calliope, Saraswati, wiser self or?)
  • How do I invoke you? (Through a poem, a prayer, an invitation, getting quiet?)
  • What are some ways that you bring me inspiration?
  • What’s most important for me to be writing about?
  • What do you need or desire from me?

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You’ve created a list of things that you’d like to write about.  Good for you!  Now what?

Writing Prompt

From your list of inspiring topics, choose one topic that you feel passionate about.  For twenty minutes, write with abandon (no censoring or editing).  Allow your curiosity, passion, natural inclinations to guide your writing.  Set your timer for twenty minutes. On your mark, get set and WRITE!

Read what you wrote aloud and then let it be for now.

Enjoy your day.

peasantfinal