She Has No Name

IntuitivePainting1When I began painting faces, I found it very challenging.  What I painted didn’t resemble the image I had in mind at all!  How my mind and hand translated a photo portrait onto a canvas was juvenile art.  Features–especially matching the eyes–were they the same size, at least close to the same size?  The same shape?  How much space between them? How far down on the face should they be?  Where is the nose in relation to the eyes? And the mouth?  Did I mention mixing a realistic skin tone?  And then, there is value contrast!  Yikes…the map of the face is an art that isn’t easy to master.

Several years of practice has improved my facility to draw a face with some degree of realism.  And, I can see that I need years more of practice before I feel accomplished in this area.  If ever.

And, so, I allow the whimsy that has been part of my artist’s signature.

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I do like the background in this painting.  The soft colors and images that sort of arise from the mist.  I also think about painting over the whole thing and discovering something else.  Remembering that it’s all part of the learning process, I have compassion for my newly formed artist self.  Compassion versus criticism.  Practice versus procrastination.  

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Remember the old adage “Patience is a virtue.”  It really is.  Making art–it can’t be rushed.  It can be…but the depth of what an artist gets from the creative process won’t be reached unless she is patient enough to be fully present with the work in process and with herself (himself).  Any work of art is always an inquiry.  With that, an answer won’t be forced but rather surfaces.

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These days, things are very serious.  I feel it in my body.  It’s easy to forget my body.  To relegate it to last place even though I have more time to tend it.  Yesterday, I came upon this little video by Elizabeth Gilbert.  What I love about it is that there are no words…

And now for something completely different,

LET’S DANCE!

https://www.facebook.com/GilbertLiz/videos/235717154471860/

 

Engaging the Fantasy

Date Night2Worlds emerge through our art-making.  Though they aren’t necessarily the agreed upon reality, they exist somewhere–perhaps–outside of the conscious in the unconscious, your personal or the greater unconscious.

What an interesting territory to explore and bring into form through writing and art.

For me, it is most accessible through painting.  I tap into it when I allow something to show and reveal itself to me.  I engage the conversation and follow the lead I receive through inquiry–“what is showing itself to me?”

It is the territory of the imaginal realm…

As defined by Mary Harrell, Ph.D.,

“As a first definition of the imaginal realm, I’ll borrow from Iranologist and scholar Henry Corbin (1997) who said that the imaginal realm is a subtle world, which exists in a field between matter and mind.”

And I like this one from Wikipedia:

“Coleridge distinguished imagination, which expresses realities of an imaginal realm transcending any personal existence, and ‘fancy’, or fantasy, which expresses the creativity of the artistic soul. For him, ‘imagination is the condition for cognitive participation in a sacramental universe’.”

Finally, this one by C. S. Lewis:

C.S. Lewis considered that “reason is the organ of truth, but imagination is the organ of meaning.

Creative Prompt:
Where have you gone lately, in your imagination?  Through your writing or through your art-making?  What’s your favored vehicle for visiting the imaginal realm?

What’s It Mean?

You write a poem, paint a painting or sculpt a piece.  You’ve followed your intuitive guidance, the flow.  You stand back from it.  What does it mean?

Is your poetry or art a clue to your own inner experience or process?  Like a dream, does it somehow help with self-understanding and integration?

What do you think?

Why do certain symbols, colors, words, images attract you more than others?

Is there a story or a message for you in the poem you write?  the art you create?

Sometimes, it’s obvious.  Other times, it reveals itself over time or as you sit with it in inquiry or contemplation.

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Like with this recent painting.  I definitely feel it’s got something to say to me.  Getting quiet, I allow it to reveal itself to me.

Contemplative Prompt:
Have you written a poem or prose recently that has a self-revelation for you?  Or, a painting that you know is trying to tell you something?  Take the time to be with it and stay open to that which wants to be heard or seen by you.

Have a good day.