Life to Art

Iris

In Spring, the bulbs that have been seemingly asleep underground, poke their heads up through the crusty earth.  Where I live, it’s usually the crocus first.  Then the daffodils.  Next, the tulips.  Finally, the irises.  Several years ago, I planted tulips and irises along the path in the front yard.  Probably not the best decision as there’s a lot of hopping over them by me and any guests who come to visit.  That said, they are there and make their appearance when conditions are right.

This painting was actually based on a photo of a little iris growing beside this path.  The tightness with which it held its bud form was noted.  The very next day, I was shocked (in a good way) to see that it had burst open overnight.

iris

 

 

Like a trumpet sound, it was impossible to ignore.  A beautiful declaration to be noticed and appreciated!

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A bulb holds promise, doesn’t it?  Years ago, I moved into a house in the San Francisco Bay Area with my family.  When we had first seen the house, before we purchased it, I had noticed the abundance of flowers in the backyard…it must have been springtime.  Months later, the flowers had come and gone.  Digging in the backyard, I found all of these gnarly brown flaky things in the soil.  I had no idea that I was tossing bulbs away, the flowers that I had witnessed in the spring.  When I think back on this, I feel sad…I didn’t know.

These days I plant bulbs and look forward to the glorious gift packaged within each tight little knot as it prepares to share its glory!

The garden, nature, is a source of inspiration to artists across time.  It’s no surprise.  Witnessing beauty, our hearts are uplifted.  The artist finds a way to render this beauty…there are so many ways.  I wonder what it is that leads one from observation of beauty to the desire to paint or portray it.  Maybe it’s a desire to preserve it and the feeling that it gave when you first witnessed it.  Or maybe it’s a desire to share it with others.  Perhaps it’s instinctual to want to capture it in an artistic way–to claim it more deeply.  I wonder.

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Sheltering in place, many more people are buying plants from the garden center.  There’s nowhere to go, nothing usual to do — creating a garden…often a food garden with flowers to beautify seems like a good idea.  Seeking the good in the present circumstances through a return to the soil.

 

Mermaids II

If I were a mermaid living in the ocean, I’d be angry with humans.  The ocean is, afterall, my home.  I want my environment to be pristine.  For myself and all the variety of wondrous sea creatures who also live here.  When my environment is polluted by the ignorance and greed of humans, well I can’t just get up and walk away, can I?  The integral relationship of the ocean with the moon and our ecosystem that keeps things “working” is being drastically damaged by destructive human activities.  Witnessing the devastation that humans have wreaked on my home, I’m wondering what I can do to wake them up!

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As we get more and more distanced from nature, we are going to feel the effects.  Because, as John Muir has said, “Nature includes us!”

As sophisticated as we might think we are, as much as we think we’ve conquered nature and that we are civilized above and beyond the natural world…that’s false thinking.  We are nature, nature is us.  We have a biology and so does the earth and the sea and the whole ecology in which we are included.  I’m likely preaching to the choir here!

This mermaid reminds me of a warrioress.  She is both tender and tough when necessary.  She is ready to go to battle for her home, the ocean.

mermaid.1

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In 1995, an amazing film was released, The Secret of Roan Inish.  The music was haunting, the scenery enchanting, the acting authentic and the story–magical and mythological.  This is where I first heard of “the Selkie.  And, I feel that the sea is portrayed as a character itself.  Effective personification!

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The phrase “If I were” is a good way to begin writing.  Especially when you’re feeling stuck…”If I were…”  Those three little words open the door to imagination and possibility.  Go ahead, WRITE!

Duck Whimsy

I love this painting even today.  It touches me in a way that I don’t expect.  The original image was in a nature magazine.  I portray it in my own whimsical style.  The black and white of the duck, the furry duckling going for a ride, the shadow on the water and the background of total colorful whimsy–I find them entrancing…and fun.

When you enter into a painting, when you are so engaged that everything else in your life and the world falls away, if only for a few moments, you are in the creative vein.  What a special timeless place to dwell.  What a gift.  This is something artists and writers share and understand deeply.  Everyone has the ability to enter, but not everyone does.  It saddens me to hear someone say that they don’t have a creative bone in their body.  I know otherwise.  I truly do.  Many of us over the course of our lives stand on the precipice of our own creative vein.  But we don’t take the leap.  Why not?  “I’m not an artist,” is the refrain.  Or, “I’m not good at that.”  I disagree.

duckfour (1)

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If you dare to take my dare…find a magazine with images.  Choose one that you like.  Start with something easy.  Trace over the image a few times.  Get a sense of what it feels like to trace this particular image.  Then, draw the image on a piece of paper, in a notebook, whatever you have.  Draw it today, draw it tomorrow, draw it everyday for one or two weeks.  Notice the lines in the image.  See if you can spot shapes.  Notice the lines and shapes in relation to one another.  Let your hand practice drawing what you see.  For it is in showing up and practicing that we get good at something.  Don’t strive for perfection.  Let it be your perspective, the way that only you see it, that guides your hand.

Engage with it and notice where you go.

Stay safe and healthy.

Haiku in Turbulent Times

What I’ve appreciated about Haiku is the command to be present.  It is in the observation of the present moment that makes Haiku timely now.

Four years ago,I wanted to paint a piece that integrated Haiku.  I found this Haiku from Gyodai, an early Japanese poet…I couldn’t find his time period.  I let the Haiku inspire the painting.  It’s a busy painting, but in the moment, it felt right.

“Snow is melting
Far in the Misted Mountain
A Cawing Crow”

Gyodai

 

crow

Here’s the thing about Haiku…it’s accessible to everyone.  You could be anywhere, for instance sheltering at home.  Grab a pen, pencil, piece of charcoal, crayon, whatever…and follow the formula.  Here it is:

A brief introduction to haiku.  So far as we know, haiku originated in Japan.  Short poems, usually three lines long, haiku has a total of 17 syllables…5 syllables in the first line, 7 syllables in the second line and 5 syllables in the third line.  Traditional haiku usually contained a season word that indicated in which season the haiku was set.  The season word isn’t always obvious.  Haiku are little philosophical gems, sometimes with humor.  They can describe almost anything.  Often, they describe daily situations in a refreshing way–creating a new experience of something familiar.  It is always amazing to me that some poetic forms, such as haiku, endure.

I invite you to write haiku.  You choose the time of day.  Sit in your most comfortable chair or go out into the forest, up a mountain or by an ocean or lake.  Whatever is permissible where you live.  Take a few deep breaths and settle in.  Deeply notice something in your surroundings.  Honor it by writing a haiku.  Truly–nature, the things we use and take for granted, animals, other people, everything, everyone likes to be noticed and honored.

In writing your own haiku, strive to “give a new
experience of something familiar”.  Try to adhere
to the 5-7-5 syllables (or as close as you can get to
it).

Blessed day to you.

Worlds Within Worlds

In her book, Anatomy of a Rose, Sharman Apt Russell, nature and science writer, has dubbed human beings as “the blind voyeurs.”  She says that while we witness nature’s spectacle of spring flowers, we are not the intended audience.  Rather, the intended audience is the pollinators!  There is a very serious seduction going on here.

The pollinating bumblebee, the birds, the butterflies and so forth…are the intended audience.  Each one of these has a quite unique perspective towards the flowers.  And an important purpose.  The attracting flower has another intention–to reproduce.

Is our role as human beings to appreciate the beauty of a field of flowers?  Or a single flower?  To be inspired by a flower while recognizing that it’s not all about us–that the flowers aren’t here specifically for our pleasure.  The ones we sometimes see, the ones we often don’t see.

Walking along, when I take the time, I notice the beauty and fragrance of a flower.  Witnessing beauty is an amazing exchange so in that way, I (you) could also be an intended audience.  It can be both.  I appreciate Georgia O’Keeffe’s wisdom on really seeing a flower.

“Nobody sees a flower really; it is so small.  We haven’t time, and to see takes time–like to have a friend takes time.”

 

 

insideaflower

Last summer’s hyacinth flower.

On the Trail

Awhile ago, I took of a photo of an old oak tree that was perhaps misshapen by the elements and because of this, it was fascinating, beautiful to my eye.  I loved the way it bent and twisted and yet reached towards the sky.  Gnarly could be a word to describe it.  I could see the beauty in gnarly although the word, gnarly, doesn’t have a great connotation.

That said, my mind equated it to beauty.  I am neither an experienced nor representational painter.  Yet, this photo image of the tree spoke to me.  I used it as inspiration for my painting of a stylized Tree.  Too many of us think of trees as inanimate, as non-communicative, as unfeeling.

I’m reading a book, Braiding Sweetgrass, by the author, Robin Wall Kimmerer.  She is Native American and her family was shifted from reservation to reservation.  She remembers the Pecan Trees in the various places where she and her family have lived over the generations.  The Pecan Trees–no matter where they are physically located across the country–all produce the fruit, the pecan nut, at the same time.  And, then, they don’t produce for years at a time.  What is gleaned from this fact, is that there is an underground communication system among the pecan trees whereby they concur, regardless of climatic conditions and local geographic factors, to produce fruit.

Fascinating, right?  So walking on a trail by the lake yesterday, I encountered a friend riding his bicycle.  We chatted briefly in a casual way.  Then, out of the blue, he says that he communicates with the trees during his seven mile bike ride around the lake.  That when he moved here many years ago, he was impressed with the trees, their beingness.  That he felt he could turn to them for counsel.
Haven’t some of them, the old growth, been standing here for years?”  He added, “Haven’t they seen the whole human play unfold?”

I was shocked by the synchronicity of my painting and his thoughts on trees.  I responded, “You are weird.”  By that I meant wow, how can it be that we’re both on this tree wavelength.  Today it occured to me how the earth, trees, nature, etc. infiltrate our thoughts and beings when we are receptive.  How they speak through us about what is needed to preserve life on earth.  The conservation efforts, the environmental impetus of a world in jeopardy.  Are these quests all earth and nature-instigated?  Humans think they have these brilliant ideas…but who is our coach and guide?  The earth herself, perhaps.

At some point, maybe we realize that we are the spokespersons for our planet.  At some point, we might remember that we are visitors here. We hope to leave this earth home that we’ve only borrowed, intact and viable for future generations.  And, for the other life forms that exist, survive and thrive here besides humans.

noname1

 

 

 

 

 

 

 

 

 

 

 

Freedom…

Freedom is a choice.  Is it?  Stand beside the ocean in your birthday suit.  Or walk into that floral painting .  Daffodils?  Delphiniums?  Crocus?  Lupine?  Horizon lines.  Yesterday, someone said that as artists, we are fascinated with painting horizon lines.  The sky meets the sea.  The land touches the water.  I roll in flowers in fields of forever, at least in some dreams.  If I ruled the world…every day might be the first day of spring.  That jubilant season.

Truly, in the mountains I don’t want spring to come too soon.  I want the deep cold that encourages spring flowering and summer fruiting.  I whisper to the cherry tree and the bulbs beneath the earth, if they are listening, don’t blossom too soon.  The deceit of a false spring could halt the blossoming and inhibit the bees when temperatures fall to freezing again.  I wonder if the trees can understand my language–if they know I care.  Do they witness my own wishy-washiness when it comes to not using plastic?

Is this a fantasy that I’m living?  Is this reality a tiny wedge (Kathy would ask “a wedge of cheese”) in an orgasmic universe?  I want to say omniverse although I’m not sure why.  Is that what the big bang means–one giant orgasm that sprung the worlds into being?  Can I say that here?  Freedom to write what I want, to have my own secular thoughts.  The ones that were forbidden by a childhood of too little freedom with an autocratic ruler.

It occurred to me again, that I really only found my voice recently.  No wonder I save volumes of my writing.  I won’t say everything on this blog.  Some things I hold sacred, private.  Having freedom entitles one not to speak when one chooses.

Yesterday, at the lake, I noticed the sky.  The clouds were reflected in the water.  I thought I could dive into the sky.

Freedom, claiming it, takes courage especially if you’ve been oppressed.

Freedom’s close companion is responsibility.

Castle Lake.1a

Speaking What I Know

Several years ago, I participated in a theater group.  One of the classes involved choosing, memorizing and reciting a piece.  When something has meaning to me, I am able to connect with it and recite it with presence.  Otherwise, I’m not very fond of public speaking.

This is the piece I chose to recite–an excerpt from a book entitled Woman and Nature by Susan Griffin:

“He says he is not part of this world, that he was set on this world as a stranger.  He sets himself apart from woman and nature.

We are the bird’s eggs.  Bird’s eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower.  We are women.  We rise from the wave.  We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls.  We are woman and nature.  And he says he cannot hear us speak.  But we hear.”

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Herein lies one secret to speaking in front of an audience.  To feel connected to what you read or recite brings power to your voice.  I see acting as something quite different.  In that case, you stand outside of yourself to play the character or you in some way inhabit the character.  However, that feels more difficult and less desirable to me.  To feel passionate about my topic infuses my ability to stand up in front of an audience and speak with authenticity.

I like to be prepared.  I had to become deeply familiar with Susan Griffin’s words.  I would have expressed my love of and deep connection to nature in different words.  Her flow of words, her particular associations, although they expressed a shared belief, weren’t my own.  Memorization of her words and where to put the emphasis when I was reciting was somewhat challenging.  Yet, I met the assignment. It occurred to me that my audience’s values were different than my own–that the subject matter might be something they hadn’t deeply considered.   Regardless, I recited with passion and the hope that my message was understood at a level deeper than the words themselves.

Finally then, it is not up to me how anyone receives what I say.  It is not up to me how anyone interprets my art.  It is only up to me to share it.  That’s what I came here to do, it seems.  For now.

butterfly

 

A New Relationship to Snow

I live in the mountains, but I haven’t always.  I spent most of my life living beside the ocean.  When I moved to the mountains twenty years ago, I had very little familiarity with snow.  Those first few winters, I was immersed and quickly educated on the reality of snow.  “Pretty on a postcard, but practically problematic” (from a poem I wrote).  Mine has been an evolving relationship with snow.  At first, I found it exciting, then daunting.  Beautiful and restrictive.  Enchanting and unpleasant.

Today, it is welcome (though not to the point of overwhelm) and appreciated.  For I understand the wisdom of snow.  How it coaches us to quiet ourselves, to slow our pace, to go within.  How it frosts the trees, covers the earth, seeps into the ground.  How it facilitates the fruiting of trees and the flowering of plants and the impetus of underground bulbs.  Is everything a metaphor?  Do we make it so?

There is poetic beauty in the first light snowfall, the large unique flakes that sift like fairy feathers lit by the back porch light.  That mesmerizing whirl of flakes that can put one into a trancelike state.  The deep quiet that is induced when the snow is softly falling. The first waking to a snow-blanketed world, the sweet shock of it all.

Then there is the impasse that deep snow creates.  The waiting for the snowplow to clear the roads.  More waiting for the men to come and shovel my driveway and pathways.  There is no going anywhere fast.  And if you dare to walk when its icy, be sure to wear your shoe chains.  Once, despite wearing shoe chains, I slipped.  I was carrying a cup of coffee from the local cafe.  I held that cup high in the air as I slid and fell to my knees.  I did not spill one single drop of that cup of coffee.

Hot foods, soups, warm grogs, hot chocolate are appreciated more when the weather is cold and there is confining snow.  Soup sipped and bread broken with friends adds to the warmth of the wood fire.

These days, the wisdom of snow supersedes everything for me. Following the last several summers of smoke and fires, I’m so grateful for the snow that soaks, saturates, nourishes the trees and the earth and every living creature.  The snowmelt that feeds our springs, raises our water table.  While there have been times that I desired an “easy winter,” now I’m grateful when winter behaves like winter.

Winter is a time of gestation on many levels.  We aren’t meant to plunge on ahead and force growth.  It is wise to slow down, integrate our experiences and be present with the slow growth of our own wisdom.

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thoughts on snow from an early journal:

Today, there is finally snow!  I have to say that my whole body has been waiting for the relief of snow.  Something in me was holding my breath, waiting, anticipating, leaning into as if I were frozen in the form of someone about to dive, but unable to.  Not until that first exhale of new snow falling–then I could breathe deeply once again.  I appreciate that there’s nowhere to get to this morning.  That I don’t need an excuse to stay in and cook, or paint (or if I get to it, sorting and organizing).  Maybe I’ll begin writing that book that I want to write…or daydream a bit.

 

Where the Green Ants Dream

A few weeks ago, I watched this 1984 film directed by Werner Herzog.

 

It touched me deeply.  Afterwards, I had no one with whom to discuss the film and all that it brought up for me.

Sometimes, putting my thoughts and feelings into a poem helps.

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Some days a sad gloom
descends
and the cello sounds like
melancholy
the sky is gray and
cloudy
Then I remember
again
that I miss you.

Last night, I watched
a Werner Herzog film,
Where the Green Ants Dream.
Aboriginal Australians
in opposition to
the mining company
blasting explosives
searching for what?
The green ants of
this sacred part of the desert
would be forced to move
taking with them the dreamscape
where the future of the peoples
is dreamed into being.

And I thought where the heck are you?
I need to talk to you about this.
My own thoughts are noisy and circular.
They make me dizzy with their roundabout.
You would challenge or agree, but at least
it wouldn’t be only me in reaction
to the air.

I wanted to ask you if you think we have
a good purpose here…the white folks?
If we are orchestrating our own doom
or if there is hope for us
If the planet and all of
its inhabitants would be saved?
Or would we be the lemmings
we seem to be?

Would you agree with
what the tribal elder said–
that we are we asking the stupid questions?
The ones we formulate with our small minds
the minds that aren’t inclusive.
The it’s-all-about-me mind,
the consumption-oriented mind.
I’d like to talk to you about this
before it’s too late.

Do we consider ourselves to be more
advanced
because we crafted these complex
systems?  Identified, classified, named things?
The very systems that distance us
further from nature, the earth and our origins?

Why can’t we be satisfied with not knowing,
with the mystery?

Are you hiding now
within that same mystery?