Reinvention

When things aren’t working…when they haven’t been working for awhile…what do you do?  When I get quiet and take an overview of my life, I can sometimes see the patterns.  There are patterns that I am at peace with and then, there are patterns that I am undone by every single time.  Recognizing that, what can I do to change a pattern?

  • One key is recognition:  When I am able to identify a pattern and name it, that is the doorway to changing it.  Sometimes, I write it down in detail, the elements that make up this rerun pattern.  Then I gain a clearer understanding of myself and how and perhaps why I recycle this unhelpful pattern.
  • Recognizing the facets of the pattern, I might be able to see “choice points.”  Within the pattern, there are split seconds when I can decide to do something differently.  That is, catch the pattern at work and detour myself away from it.  No, don’t go that way–again!
  • The doing something differently can be placing my attention elsewhere, i.e. doing jumping jacks, dancing, going for a walk in nature, picking up a book, getting out the paints and painting.  Any number of possibilities.  You choose.
  • Another helpful tool is writing poetry about your dilemma.  Because poetry accesses another part of the brain, it can offer up a solution that you might not have logically considered.
  • If you feel safe enough to share your process with a trustworthy friend, you might ask them for support in your mission.
  • Also, if you believe in a higher power, prayer for assistance as you implement something new can assist you.

They say that it takes twenty-one days to solidify a new pattern or habit. Considering that there is the real possibility of falling into the same old, same old, you can remember that Alcoholics Anonymous slogan “Just for today…” I can do this differently.  Then it feels manageable.

Years ago, I read a quote by Buckminster Fuller, an American architect, systems theorist, author, designer, inventor, and futurist.  It goes like this:

“You never change things by fighting the existing reality.
To change something, build a new model that makes the existing model obsolete.”

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I appreciate the wisdom in this quote.

 

 

 

For the love of collage–embracing the irregular

collage1
Semi-Wild Collage by Christine O’Brien 2018

What is it to me?  Laying down bits and pieces of scrap paper and then, being open to what emerges from chaos. In the initial stages of collaging, there is little direction.  I might have a theme in mind…or not.  I might choose a color scheme…or not.  I might lay down only words–upside down, right side up, sideways, any which way…or not.  Patterns?  Drama?  Comedy?  What wants to be conveyed?  Show me as I go.

I started with my painted purple elephant.  I printed her out in three different sizes realizing that I had a 6×6-inch birchwood panel to work with.  It was like the Goldilocks’ story…the first elephant was too big, the second one too small…the third elephant was “just right.”

I had a stack of mandalas that I’d drawn and painted a few years ago.  Sorting through, I gravitated towards patterns with stripes and dots, some words, shades of purple and magenta.  After placing and gluing the torn papers down, I collaged on the elephant.  I noticed the woman’s face in the far left corner.  Her face needed a neck and then she developed into the figure. I applied acrylic paint to bring some elements of the piece forward.  At some point, I knew I it needed silver leafing. In other words, I was in conversation with the piece as it evolved.

While collage can be an odd assemblage there is a point at which I desire to bring order to chaos.  And, I want to retain the wildness, the freedom I had in creating it.  Yet, I also like something recognizable.

One thing about collaging, you learn to be comfortable with stages…there is the drying time to consider between applications.  This allows you time to step back and see what wants to be seen.  Sometimes a new direction presents.  Do you follow it or stay  with your original intention for the piece?  Do you flow in another direction or exert  your own influence?  It’s always different and without a real formula other than trusting your instincts.

Finally, I appreciate finding the integrative component…whether it is color, design or pattern–whatever it is that brings cohesiveness and completion.

Consider This:
To make art, you don’t have to have the most expensive materials.  You really only have to make yourself available to it.  The muse is there, waiting for you to SHOW UP!  Have you been saving scraps of paper?  Is it time to do something with them?