What I’ve appreciated about Haiku is the command to be present. It is in the observation of the present moment that makes Haiku timely now.
Four years ago,I wanted to paint a piece that integrated Haiku. I found this Haiku from Gyodai, an early Japanese poet…I couldn’t find his time period. I let the Haiku inspire the painting. It’s a busy painting, but in the moment, it felt right.
“Snow is melting
Far in the Misted Mountain
A Cawing Crow”
Here’s the thing about Haiku…it’s accessible to everyone. You could be anywhere, for instance sheltering at home. Grab a pen, pencil, piece of charcoal, crayon, whatever…and follow the formula. Here it is:
A brief introduction to haiku. So far as we know, haiku originated in Japan. Short poems, usually three lines long, haiku has a total of 17 syllables…5 syllables in the first line, 7 syllables in the second line and 5 syllables in the third line. Traditional haiku usually contained a season word that indicated in which season the haiku was set. The season word isn’t always obvious. Haiku are little philosophical gems, sometimes with humor. They can describe almost anything. Often, they describe daily situations in a refreshing way–creating a new experience of something familiar. It is always amazing to me that some poetic forms, such as haiku, endure.
I invite you to write haiku. You choose the time of day. Sit in your most comfortable chair or go out into the forest, up a mountain or by an ocean or lake. Whatever is permissible where you live. Take a few deep breaths and settle in. Deeply notice something in your surroundings. Honor it by writing a haiku. Truly–nature, the things we use and take for granted, animals, other people, everything, everyone likes to be noticed and honored.
In writing your own haiku, strive to “give a new
experience of something familiar”. Try to adhere
to the 5-7-5 syllables (or as close as you can get to
Blessed day to you.