Sonnet Two

Not that we shouldn’t desire more
of that which feeds the hungering soul
for such yearning, it seems, opens the door
as we stare out upon a distant knoll.

“Comfortable complacency” is fine
–we all need pauses in our quest for more–
Grateful for the banquet on which we dine
fingers laced, beside the fireplace, shut the door.

But when the bell tolls the eleventh hour
mustn’t we from our sedentary rise?
Step into our uncomfortable power–
this before our comforts become a vise.

The hungering soul feasts on freedom.
Quick!  They are capturing the kingdom.

 

sonnet2

I wrote this poem a couple of years ago and again tried to merge poetry with imagery.  I’m not really pleased with the painting…but I think the message is current.  Truly, it doesn’t seem like we can hide behind our “comfortable” doors any longer although we mostly shelter in place.  I think that we are asked to be activists in a way that is true to our nature.

When any one of our freedoms is infringed upon, we are called to stand up against injustice.  When our neighbor’s freedom is infringed upon, we are called to stand up against injustice.  For truly, if my neighbor isn’t well-cared for by our society, then I’m affected too.  We’re in this together.

Remember, Spaceship Earth, so-named by Buckminster Fuller?  We’re all here together riding around on this very small planet.

“How can I serve?”

I frequently ask this question of myself.

 

Yearning

now1This was one of my first attempts at merging art and poetry.  I write what has been termed personal poetry.  This sonnet was the first poem in a series of twenty-one poems that I was determined to write.  I illustrated the first two poems of this grouping.  It’s not so easy to do, I found.  This poem was written several years ago…the mood at the time.  Poetry is a great way to manage our various moods and emotions and to help us move beyond or integrate these passing energies.

I’ve written poetry for at least thirty years.  Within that span of time, there were periods when I didn’t write poetry.  The tangles that we can get ourselves into with words.  The things we tell ourselves.  As author Byron Katie has reiterated “Is it true?”  The things we say to others–did they receive it as we intended it?  The words we hear– are they fact, theory, opinion, judgment?  How do other people’s words–the media–color your own thoughts and opinions?  Where is the truth in these tangles?

That’s why I chose the paintbrush over the pen for a few years.  No words!

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This blog has become a commingling of art and words with which I feel comfortable these days.

 

 

When I was the Forest

rainbow2

 

When I was the Forest
by Meister Eckhart

When I was the stream, when I was the
forest, when I was still the field,
when I was every hoof, foot,
fin and wing,
when I was the sky
itself,

No one ever asked me did I have a purpose, no one ever
wondered was there anything I might need,
For there was nothing
I could not
love.

It was when I left all we once were that
the agony began, the fear and questions came;
and I wept; I wept.  And tears
I had never known
before.

So I returned to the river, I returned to
the mountains, I asked for their hand in marriage again,
I begged–I begged to wed every object
and creature.

And when they accepted,
God was ever present in my arms
and He did not say “Where have you been?”
For then, I knew my soul,
every soul has always held Him.

Writing Prompt:
Over the course life, there are things that we lose and things that we  find.
Perhaps we’ve been left and/or we’ve left others at times.
Is there something in your life that was “found” then lost and was there a yearning and then a returning?  Describe it in prose or poetry.

 

A Riff off of Rilke

for rilke 4

Rilke’s poem:

You Who Never Arrived
by Rainer Maria Rilke

You who never arrived
in my arms, Beloved, who were lost
from the start,
I don’t even know what songs
would please you.  I have given up trying
to recognize you in the surging wave of the next
moment.  All the immense
images in me–the far-off, deeply felt landscape,
cities, towers, and bridges, and un-
suspected turns in the path,
and those powerful lands that were once
pulsing with the life of the gods–
all rise within me to mean
you, who forever elude me.

You, Beloved, who are all
the gardens I have ever gazed at,
longing, An open window
in a country house–, and you almost
stepped out, pensive, to meet me.  Streets that I chanced upon,–
you had just walked down them and vanished.
And sometimes, in a shop, the mirrors
were still dizzy with your presence and startled, gave back
my too-sudden image.  Who knows?  perhaps the same
bird echoed through both of us
yesterday, separate, in the evening…

 

my poem:

© by Christine O’Brien

An open window in a country house,
and you almost stepped out pensive to meet me.”
You, who awoke with sleep in your eyes
and brushed away the dream of me.
Whose new dawn’s light
caused me to vanish like some unborn ghost.
Whose tossings and turnings
restless night callings
of my yet unnamed self
while my whisper tickled your
slumbering ear.
Whose sweet scent was blown
through the window of your dreams
and you shuddered
as my soft footfalls in the night
sought to awaken you
to my unformed body
lying beside you
praying that daylight wouldn’t discharge
us from tactile knowing.

Writing Prompt:
Does Rilke’s poem inspire something in you?  If so, choose one line of his poem as a prompt for your own poem imitating his style.  Let the Rilke in you express itself.
Have fun!

Note:  I recommend reading Rilke’s poem aloud.  There is something in the dreamy rhythm that is captivating.